The Yellow Streak | Page 8

to break the door down."
Bude shook his head.
"It's solid oak, sir," he began.
Then he raised his hand.
"Pardon me, gentlemen," he said, as though an idea had struck him. "If we were to go out by the garden door here, we might get in through the window. We could break the glass if needs be!"
"That's it!" exclaimed Horace. "Come on, Doctor!"
He dashed down the corridor towards the little passage. The doctor laid a hand on Bude's arm.
"One of us had better stay here," he said with a meaning glance at the closed door.
The butler raised an affrighted face to his.
"Go with Sir Horace, Bude," said the doctor. "I'll stay!"
Outside in the gardens of Harkings it was a raw, damp evening, pitch-black now, with little gusts of wind which shook the naked bushes of the rosery. The garden door led by a couple of shallow steps on to a gravel path which ran all along the back of the house. The path extended right up to the wall of the house. On the other side it flanked the rosery.
The glass door was banging to and fro in the night wind as Bude, his coat-collar turned up, hurried out into the darkness. The library, which formed the corner of the new wing, had two windows, the one immediately above the gravel path looking out over the rosery, the other round the corner of the house giving on the same path, beyond which ran a high hedge of clipped box surrounding the so-called Pleasure Ground, a plot of smooth grass with a sundial in the centre.
A glow of light came from the library window, and in its radiance Bude saw silhouetted the tall, well-knit figure of young Trevert. As the butler came up, the boy raised something in his hand and there was a crash of broken glass.
The curtains were drawn, but with the breaking of the window they began to flap about. With the iron grating he had picked up from the drain below the window young Trevert smashed the rest of the glass away, then thrust an arm through the empty window-frame, fumbling for the window-catch.
"The catch is not fastened," he whispered, and with a resolute thrust he pushed the window up. The curtains leapt up wildly, revealing a glimpse of the pleasant, book-lined room. Both men from the darkness without saw Parrish's desk littered with his papers and his habitual chair beyond it, pushed back empty.
Trevert turned an instant, a hand on the window-sill.
"Bude," he said, "there's no one there!"
"Best look and see, sir," replied the butler, his coat-tails flapping in the wind.
Trevert hoisted himself easily on to the window-sill, knelt there for an instant, then thrust his legs over the sill and dropped into the room. As he did so he stumbled, cried aloud.
Then the heavy grey curtains were flung back and the butler saw the boy's face, rather white, at the open window.
"My God," he said slowly, "he's dead!"
A moment later Dr. Romain, waiting in the corridor, heard the key turn in the lock of the library door. The door was flung open. Horace Trevert stood there, silhouetted in a dull glow of light from the room. He was pointing to the open window, beneath which Hartley Parrish lay on his back motionless.
CHAPTER IV
BETWEEN THE DESK AND THE WINDOW
Hartley Parrish's library was a splendid room, square in shape, lofty and well proportioned. It was lined with books arranged in shelves of dark brown oak running round the four walls, but sunk level with them and reaching up to a broad band of perfectly plain white plasterwork.
It was a cheerful, comfortable, eminently modern room, half library, half office. The oak was solid, but uncompromisingly new. The great leather armchairs were designed on modern lines--for comfort rather than for appearance. There were no pictures; but vases of chrysanthemums stood here and there about the room. A dictaphone in a case was in a corner, but beside it was a little table on which were set out some rare bits of old Chelsea. There was also a gramophone, but it was enclosed in a superb case of genuine old black-and-gold lacquer. The very books in their shelves carried on this contrast of business with recreation. For while one set of shelves contained row upon row of technical works, company reports, and all manner of business reference books bound in leather, on another were to be found the vellum-bound volumes of the Kelmscott Press.
A sober note of grey or mole colour was the colour scheme of the room. The heavy pile carpet which stretched right up to the walls was of this quiet neutral shade: so were the easy-chairs, and the colour of the heavy curtains, which hung in front of the two high windows, was in harmony with the restful decorative scheme