The Wrack of the Storm | Page 5

Maurice Maeterlinck
which a long series of comely human lives is able to acquire and to hoard would disappear for ever from the face of the earth; and we cannot, in the trouble and confusion of these too tragic hours, realize the extent, the meaning or the consequences of such a crime.
2
We have made every sacrifice without complaining; but this would exceed all measure. What can be done? How are we to stop them? They seem to be no longer accessible to reason or to any of the feelings which men hold in honour; they are sensible only to blows. Very soon, as they must know, we shall have the power to strike them shrewdly. Why do not the Allies, this very day, swiftly, while yet there is time, name so many hostage cities, which would be answerable, stone for stone, for the existence of our own dear towns? If Brussels, for example, should be destroyed, then Berlin should be razed to the ground. If Antwerp were devastated, Hamburg would disappear. Nuremburg would guarantee Bruges; Munich would stand surety for Ghent.
At the present moment, when they are feeling the wind of defeat that blows through their tattered standard, it is possible that this solemn threat, officially pronounced, would force them to reflect, if indeed they are still at all capable of reflection. It is the only expedient that remains to us and there is no time to be lost. With certain adversaries the most barbarous threats are legitimate and necessary, for these threats speak the only language which they can understand. And our children must not one day be able to reproach us with not having attempted everything--even that which is most repugnant--to save the treasures which are theirs by right.
* * * * *

TO SAVE FOUR CITIES

IV
TO SAVE FOUR CITIES
1
First Louvain, Malines, Termonde, Lierre, Dixmude, Nieuport (and I am speaking only of the disasters of Flanders); now Ypres is no more and Furnes is half in ruins. By the side of the great Flemish cities, Brussels, Antwerp, Ghent and Bruges, those vast and incomparable living museums which have been watchfully preserved by a whole people, a people above all others attached to its traditions, they formed a constellation of little towns, delightful and hospitable, too little known to travellers. Each of them wore its own expression, of peace, pleasantness, innocent mirth, or meditation. Each possessed its treasures, jealously guarded: its belfries, its churches, its canals, its old bridges, its quiet convents, its ancient houses, which gave it a special physiognomy, never to be forgotten by those who had beheld it.
But the indisputable queen of these beautiful forsaken cities was Ypres, with its enormous market-place, bordered by little dwelling-houses with stepped gables, and its prodigious market-buildings, which occupied one whole side of the immense oblong. This market-place haunted for ever the memory of those who had seen it, were it but once, while waiting to change trains; it was so unexpected, so magical, so dream-like almost, in its disproportion to the rest of the town. While the ancient city, whose life had withdrawn itself from century to century, was gradually shrinking all around it, the Grand'Place itself remained an immovable, gigantic, magnificent witness to the might and opulence of old, when Ypres was, with Ghent and Bruges, one of the three queens of the western world, one of the most strenuous centres of human industry and activity and the cradle of our great liberties. Such as it was yesterday--alas, that I cannot say, such as it is to-day!--this square, with the enormous but unspeakably harmonious mass of those market-buildings, at once powerful and graceful, wild, gloomy, proud, yet genial, was one of the most wonderful and perfect spectacles that could be seen in any town on this old earth of ours. While of a different order of architecture, built of other elements and standing under sterner skies, it should have been as precious to man, as sacred and as intangible as the Piazza di San Marco at Venice, the Signoria at Florence or the Piazza del Duomo at Pisa. It constituted a peerless specimen of art, which at all times wrung a cry of admiration from the most indifferent, an ornament which men hoped was imperishable, one of those things of beauty which, in the words of the poet, are a joy forever.
2
I cannot believe that it no longer exists; and yet in this horrible war we have to believe everything and, above all, the worst. Now, fatally and inevitably, it will be the turn of the Belfry of Bruges; and then the tide of barbarians will rise against Ghent and Antwerp and Brussels; and there will forthwith disappear one of those portions of the world's surface in which was hoarded the greatest wealth of beauty and of memories and of the
Continue reading on your phone by scaning this QR Code

 / 53
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.