The Worlds Great Men of Music | Page 9

self supporting, but somewhat independent, in order to produce works of art.
Handel now turned his attention to opera, composing "Almira, Queen of Castile," which was produced in Hamburg early in January 1705. This success encouraged him to write others; indeed he was the author of forty operas, which are only remembered now by an occasional aria. During these several years of hard work he had looked forward to a journey to Italy, for study. He was now a composer of some note and decided it was high time to carry out his cherished desire.
He remained some time in Florence and composed the opera "Rodrigo," which was performed with great success. While in Venice he brought out another opera, "Agrippina," which had even greater success. Rome delighted him especially and he returned for a second time in 1709. Here he composed his first oratorio, the "Resurrection," which was produced there. Handel returned to Germany the following year. The Elector of Hanover was kind to him, and offered him the post of Capellmeister, with a salary of about fifteen hundred dollars. He had long desired to visit England, and the Elector gave him leave of absence. First, however, he went to Halle to see his mother and his old teacher. We can imagine the joy of the meeting, and how proud and happy both were at the success of the young musician. After a little time spent with his dear ones, he set out for England.
Handel came to London, preceded by the fame of his Italian success. Italian opera was the vogue just then in the English capital, but it was so badly produced that a man of Handel's genius was needed to properly set it before the people. He had not been long on English soil when he produced his opera "Rinaldo," at the Queen's Theater; it had taken him just two weeks to compose the opera. It had great success and ran night after night. There are many beautiful airs in "Rinaldo," some of which we hear to-day with the deepest pleasure. "Lascia ch'jo pianga" and "Cara si's sposa" are two of them. The Londoners had welcomed Handel with great cordiality and with his new opera he was firmly established in their regard. With the young musician likewise there seemed to be a sincere affection for England. He returned in due time to his duties in Hanover, but he felt that London was the field for his future activities.
It was not very long after his return to Germany that he sought another leave of absence to visit England, promising to return within a "reasonable time." London received him with open arms and many great people showered favors upon him. Lord Burlington invited him to his residence in Piccadilly, which at that time consisted of green fields. The only return to be made for all this social and home luxury was that he should conduct the Earl's chamber concerts. Handel devoted his abundant leisure to composition, at which he worked with much ardor. His fame was making great strides, and when the Peace of Utrecht was signed and a Thanksgiving service was to be held in St. Paul's, he was commissioned to compose a Te Deum and Jubilate. To show appreciation for his work and in honor of the event, Queen Anne awarded Handel a life pension of a thousand dollars.
The death of the Queen, not long after, brought the Elector of Hanover to England, to succeed her as George I. It was not likely that King George would look with favor on his former Capellmeister, who had so long deserted his post. But an opportunity soon came to placate his Majesty. A royal entertainment, with decorated barges on the Thames was arranged. An orchestra was to furnish the music, and the Lord Chamberlain commissioned Handel to compose music for the f��te. He wrote a series of pieces, since known as "Water Music." The king was greatly delighted with the music, had it repeated, and learning that Handel conducted in person, sent for him, forgave all and granted him another pension of a thousand dollars. He was also appointed teacher to the daughters of the Prince of Wales, at a salary of a thousand a year. With the combined sum (three thousand dollars) which he now received, he felt quite independent, indeed a man of means.
Not long after this Handel was appointed Chapel master to the Duke of Chandos, and was expected to live at the princely mansion he inhabited. The size and magnificence of The Cannons was the talk of the country for miles around. Here the composer lived and worked, played the organ in the chapel, composed church music for the service and wrote his first English oratorio, "Esther." This was performed in the Duke's chapel, and the Duke