His tie is a Publisher's Announcement. His boots are Copyright. In his hand he holds the staff of The Family Herald.
But the dandy, innowise violating the laws of fashion, can make more subtle symbols of his personality. More subtle these symbols are for the very reason that they are effected within the restrictions which are essential to an art. Chastened of all flamboyance, they are from most men occult, obvious, it may be, only to other artists or even only to him they symbolise. Nor will the dandy express merely a crude idea of his personality, as does, for example, Mr. Hall Caine, dressing himself always and exactly after one pattern. Every day as his mood has changed since his last toilet, he will vary the colour, texture, form of his costume. Fashion does not rob him of free will. It leaves him liberty of all expression. Every day there is not one accessory, from the butterfly that alights above his shirt front to the jewels planted in his linen, that will not symbolise the mood that is in him or the occasion of the coming day.
On this, the psychological side of foppery, I know not one so expert as him whom, not greatly caring for contemporary names, I will call Mr. Le V. No hero-worshipper am I, but I cannot write without enthusiasm of his simple life. He has not spurred his mind to the quest of shadows nor vexed his soul in the worship of any gods. No woman has wounded his heart, though he has gazed gallantly into the eyes of many women, intent, I fancy, upon his own miniature there. Nor is the incomparable set of his trousers spoilt by the perching of any dear little child upon his knee. And so, now that he is stricken with seventy years, he knows none of the bitterness of eld, for his toilet- table is an imperishable altar, his wardrobe a quiet nursery and very constant harem. Mr. Le V. has many disciples, young men who look to him for guidance in all that concerns costume, and each morning come, themselves tentatively clad, to watch the perfect procedure of his toilet and learn invaluable lessons. I myself, a lie-a-bed, often steal out, foregoing the best hours of the day abed, that I may attend that leve'e. The rooms of the Master are in St. James's Street, and perhaps it were well that I should give some little record of them and of the manner of their use. In the first room the Master sleeps. He is called by one of his valets, at seven o'clock, to the second room, where he bathes, is shampooed, is manicured and, at length, is enveloped in a dressing-gown of white wool. In the third room is his breakfast upon a little table and his letters and some newspapers. Leisurely he sips his chocolate, leisurely learns all that need be known. With a cigarette he allows his temper, as informed by the news and the weather and what not, to develop itself for the day. At length, his mood suggests, imperceptibly, what colour, what form of clothes he shall wear. He rings for his valet--`I will wear such and such a coat, such and such a tie; my trousers shall be of this or that tone; this or that jewel shall be radiant in the folds of my tie.' It is generally near noon that he reaches the fourth room, the dressing- room. The uninitiate can hardly realise how impressive is the ceremonial there enacted. As I write, I can see, in memory, the whole scene--the room, severely simple, with its lemon walls and deep wardrobes of white wood, the young fops, philomathestatoi ton neaniskon, ranged upon a long bench, rapt in wonder, and, in the middle, now sitting, now standing, negligently, before a long mirror, with a valet at either elbow, Mr. Le V., our cynosure. There is no haste, no faltering, when once the scheme of the day's toilet has been set. It is a calm toilet. A flower does not grow more calmly.
Any of us, any day, may see the gracious figure of Mr. Le V., as he saunters down the slope of St. James's. Long may the sun irradiate the surface of his tilted hat! It is comfortable to know that, though he die to-morrow the world will not lack a most elaborate record of his foppery. All his life he has kept or, rather, the current valets have kept for him, a Journal de Toilette. Of this there are now fifty volumes, each covering the space of a year. Yes, fifty springs have filled his button-hole with their violets; the snow of fifty winters has been less white than his linen; his boots have outshone fifty sequences of
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