The Wonder-Working Magician | Page 4

perhaps not so famous as the two preceding dramas, is intended to be given by Don P. De la Escosura, in a selection of Calderon's finest "comedias", now being edited by him for the Spanish Academy, as the representative piece of its class -- namely, the mystical drama founded on the lives of Saints. Mr. Ticknor prefers it to the more celebrated "Devotion of the Cross," and says that it "is commonly ranked among the best religious plays of the Spanish theatre in the seventeenth century."
In all that relates to the famous cave known through the middle ages as the "Purgatory of Saint Patrick", as well as the Story of Luis Enius -- the Owain Miles of Ancient English poetry -- Calderon was entirely indebted to the little volume published at Madrid, in 1627, by Juan Perez de Montalvan, entitled "Vida y Purgatorio de San Patricio". This singular work met with immense success. It went through innumerable editions, and continues to be reprinted in Spain as a chap-book, down to the present day. I have the fifth impression "improved and enlarged by the author himself," Madrid, 1628, the year after its first appearance: also a later edition, Madrid, 1664. As early as 1637 a French translation appeared at Brussels by "F. A. S. Chartreux, a Bruxelles." In 1642 a second French translation was published at Troyes, by "R. P. Francois Bouillon, de l'Ordre de S. Francois, et Bachelier de Theologie." Mr. Thomas Wright in his "Essay on St. Patrick's Purgatory," London, 1844, makes the singular mistake of supposing that Bouillon's "Histoire de la Vie et Purgatoire de S. Patrice" was founded on the drama of Calderon, it being simply a translation of Montalvan's "Vida y Purgatorio," from which, like itself, Calderon's play was derived. Among other translations of Montalvan's work may be mentioned one in Dutch (Brussels, 1668) and one in Portuguese (Lisbon, 1738). It was also translated into German and Italian, but I find no mention of an English version. For this reason I have thought that a few extracts might be interesting, as showing how closely Calderon adhered even to the language of his predecessor.
In all that relates to the Purgatory, Montalvan's work is itself chiefly compiled from the "Florilegium Insulae Sanctorum, seu vitae et Actae sanctorum Hiberniae," Paris, 1624, fol. This work, which has now become scarce, was written by Thomas Messingham an Irish priest, the Superior of the Irish Seminary in Paris. No complete English version appears to have been made of it, but a small tract in English containing everything in the original work that referred to St. Patrick's Purgatory was published at Paris in 1718. As this tract is perhaps more scarce than even the Florilegium itself, the account of the Purgatory as given by Messingham from the MS. of Henry of Saltrey is reprinted in the notes to this drama in the quaint language of the anonymous translator. Of this tract, "printed at Paris in 1718" without the name of author, publisher or printer, I have not been able to trace another copy. In other points of interest connected with Calderon's drama, particularly to the clearing up of the difficulty hitherto felt as to the confused list of authorities at the end, the reader is also referred to the notes.
The present version of "The Purgatory of Saint Patrick" is, with the exception of a few unimportant lines, an entirely new translation. It is made with the utmost care, imitating all the measures and contained, like the two preceding dramas, in the exact number of lines of the original. One passage of the translation which I published in 1853 is retained in the notes, as a tribute of respect to the memory of the late John Rutter Chorley, it having been mentioned with praise by that eminent Spanish scholar in an elaborate review of my earlier translations from Calderon, which appeared in the "Athenaeum", Nov. 19 and Nov. 26, 1853.
It only remains to add that the text I have followed is that of Hartzenbusch in his edition of Calderon's Comedias, Madrid, 1856 ("Biblioteca de Autores Espanoles"). His arrangement of the scenes has been followed throughout, thus enabling the reader in a moment to verify for himself the exactness of the translation by a reference to the original, a crucial test which I rather invite than decline.
CLAPHAM PARK, Easter, 1873.

THE
WONDER-WORKING MAGICIAN.
TO THE MEMORY OF?SHELLEY,?WHOSE ADMIRATION FOR?"THE LIGHT AND ODOUR OF THE FLOWERY AND STARRY AUTOS"?IS THE HIGHEST TRIBUTE TO THE BEAUTY OF?CALDERON'S POETRY,
THIS DRAMA?IS INSCRIBED.

PERSONS.
CYPRIAN.?THE DEMON.?LELIUS, The Governor of Antioch's Son.?FLORUS, friend of Lelius.?MOSCON, Servant of Cyprian.?CLARIN, Servant of Cyprian.?THE GOVERNOR OF ANTIOCH.?FABIUS, his Servant.?LYSANDER, the reputed Father of Justina.?JUSTINA.?LIVIA, her Maid.?A Servant.?A Soldier.?ATTENDANTS, Soldiers, People.

SCENE -- Antioch and its environs.
THE WONDER-WORKING MAGICIAN.

ACT THE FIRST.
SCENE I.
A WOOD NEAR ANTIOCH.
Enter CYPPRIAN in a Student's gown, followed