The Woman Who Toils | Page 4

Marie Van Vorst
the gateman had found out, and as I find out later myself, are devoid of all knowledge of the world and, aside from their manual training, ignorant on all subjects.
My train is three hours late, which brings me at about noon to Pittsburg. I have not a friend or an acquaintance within hundreds of miles. With my bag in my hand I make my way through the dark, busy streets to the Young Women's Christian Association. It is down near a frozen river. The wind blows sharp and biting over the icy water; the streets are covered with snow, and over the snow the soot falls softly like a mantle of perpetual mourning. There is almost no traffic. Innumerable tramways ring their way up and down wire-lined avenues; occasionally a train of freight cars announces itself with a warning bell in the city's midst. It is a black town of toil, one man in every three a labourer. They have no need for vehicles of pleasure. The trolleys take them to their work, the trains transport the products of the mills.
I hear all languages spoken: this prodigious town is a Western bazaar where the nations assemble not to buy but to be employed. The stagnant scum of other countries floats hither to be purified in the fierce bouillon of live opportunity. It is a cosmopolitan procession that passes me: the dusky Easterner with a fez of Astrakhan, the gentle-eyed Italian with a shawl of gay colours, the loose-lipped Hungarian, the pale, mystic Swede, the German with wife and children hanging on his arm.
[Illustration: "THE STREETS ARE COVERED WITH SNOW, AND OVER THE SNOW THE SOOT FALLS SOFTLY LIKE A MANTLE OF PERPETUAL MOURNING"]
In this giant bureau of labour all nationalities gather, united by a common bond of hope, animated by a common chance of prosperity, kindred through a common effort, fellow-citizens in a new land of freedom.
At the central office of the Young Women's Christian Association I receive what attention a busy secretary can spare me. She questions and I answer as best I can.
"What is it you want?"
"Board and work in a factory."
"Have you ever worked in a factory?"
"No, ma'am."
"Have you ever done any housework?"
She talks in the low, confidential tone of those accustomed to reforming prisoners and reasoning with the poor.
"Yes, ma'am, I have done housework."
"What did you make?"
"Twelve dollars a month."
"I can get you a place where you will have a room to yourself and fourteen dollars a month. Do you want it?"
"No, ma'am."
"Are you making anything now?"
"No, ma'am."
"Can you afford to pay board?"
"Yes, as I hope to get work at once."
She directs me to a boarding place which is at the same time a refuge for the friendless and a shelter for waifs. The newly arrived population of the fast-growing city seems unfamiliar with the address I carry written on a card. I wait on cold street corners, I travel over miles of half-settled country, long stretches of shanties and saloons huddled close to the trolley line. The thermometer is at zero. Toward three o'clock I find the waif boarding-house.
The matron is in the parlour hovering over a gas stove. She has false hair, false teeth, false jewelry, and the dry, crabbed, inquisitive manner of the idle who are entrusted with authority. She is there to direct others and do nothing herself, to be cross and make herself dreaded. In the distance I can hear a shrill, nasal orchestra of children's voices. I am cold and hungry. I have as yet no job. The noise, the sordidness, the witchlike matron annoy me. I have a sudden impulse to flee, to seek warmth and food and proper shelter--to snap my fingers at experience and be grateful I was born among the fortunate. Something within me calls _Courage_! I take a room at three dollars a week with board, put my things in it, and while my feet yet ache with cold I start to find a factory, a pickle factory, which, the matron tells me, is run by a Christian gentleman.
I have felt timid and even overbold at different moments in my life, but never so audacious as on entering a factory door marked in gilt letters: "Women Employees."
The Cerberus between me and the fulfilment of my purpose is a gray-haired timekeeper with kindly eyes. He sits in a glass cage and about him are a score or more of clocks all ticking soundly and all surrounded by an extra dial of small numbers running from one to a thousand. Each number means a workman--each tick of the clock a moment of his life gone in the service of the pickle company. I rap on the window of the glass cage. It opens.
"Do you need any girls?" I ask, trying not to show my emotion.
"Ever worked in
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