The Woman-Hater | Page 9

true, massive, and vibrating were her tones in that large, empty room.
At the first verse that cross-grained spinster, with real likes and dislikes, put a bony hand quietly before her eyes. At the last, she made three strides, as a soldier marches, and fell all of a piece, like a wooden _mannequin,_ on the singer's neck. "Take my piano," she sobbed, "for you have taken the heart out of my body."
Ina returned her embrace, and did not conceal her pleasure. "I am very proud of such a conquest," said she.
From that hour Ina was the landlady's pet. The room and piano were made over to her, and, being in a great fright at what she had undertaken, she studied and practiced her part night and day. She made Ashmead call a rehearsal next day, and she came home from it wretched and almost hysterical.
She summoned her slave Ashmead; he stood before her with an air of hypocritical submission.
"The Flute was not at rehearsal, sir," said she, severely, "nor the Oboe, nor the Violoncello."
"Just like 'em," said Ashmead, tranquilly.
"The tenor is a quavering stick. He is one of those who think that an unmanly trembling of the voice represents every manly passion."
"Their name is legion."
"The soprano is insipid. And they are all imperfect--contentedly imperfect, How can people sing incorrectly? It is like lying."
"That is what makes it so common--he! he!"
"I do not desire wit, but consolation. I believe you are Mephistopheles himself in disguise; for ever since I signed that diabolical compact you made me, I have been in a state of terror, agitation, misgiving, and misery--and I thank and bless you for it; for these thorns and nettles they lacerate me, and make me live. They break the dull, lethargic agony of utter desolation."
Then, as her nerves were female nerves, and her fortitude female fortitude, she gave way, for once, and began to cry patiently.
Ashmead the practical went softly away and left her, as we must leave her for a time, to battle her business with one hand and her sorrow with the other.
CHAPTER II.
IN the Hotel Russie, at Frankfort, there was a grand apartment, lofty, spacious, and richly furnished, with a broad balcony overlooking the Platz, and roofed, so to speak, with colored sun-blinds, which softened the glare of the Rhineland sun to a rosy and mellow light.
In the veranda, a tall English gentleman was leaning over the balcony, smoking a cigar, and being courted by a fair young lady. Her light-gray eyes dwelt on him in a way to magnetize a man, and she purred pretty nothings at his ear, in a soft tone she reserved for males. Her voice was clear, loud, and rather high-pitched whenever she spoke to a person of her own sex; a comely English blonde, with pale eyelashes; a keen, sensible girl, and not a downright wicked one; only born artful. This was Fanny Dover; and the tall gentleman--whose relation she was, and whose wife she resolved to be in one year, three years, or ten, according to his power of resistance--was Harrington Vizard, a Barfordshire squire, with twelve thousand acres and a library.
As for Fanny, she had only two thousand pounds in all the world; so compensating Nature endowed her with a fair complexion, gray, mesmeric eyes, art, and resolution--qualities that often enable a poor girl to conquer landed estates, with their male incumbrances.
Beautiful and delicate--on the surface--as was Miss Dover's courtship of her first cousin once removed, it did not strike fire; it neither pleased nor annoyed him; it fell as dead as a lantern firing on an iceberg. Not that he disliked her by any means. But he was thirty-two, had seen the world, and had been unlucky with women. So he was now a _divorce',_ and a declared woman-hater; railed on them, and kept them at arm's-length, Fanny Dover included. It was really comical to see with what perfect coolness and cynical apathy he parried the stealthy advances of this cat-like girl, a mistress in the art of pleasing--when she chose.
Inside the room, on a couch of crimson velvet, sat a young lady of rare and dazzling beauty. Her face was a long but perfect oval, pure forehead, straight nose, with exquisite nostrils; coral lips, and ivory teeth. But what first struck the beholder were her glorious dark eyes, and magnificent eyebrows as black as jet. Her hair was really like a raven's dark-purple wing.
These beauties, in a stern character, might have inspired awe; the more so as her form and limbs were grand and statuesque for her age; but all was softened down to sweet womanhood by long, silken lashes, often lowered, and a gracious face that blushed at a word, blushed little, blushed much, blushed pinky, blushed pink, blushed roseate, blushed rosy; and, I am sorry to