The Wit and Humor of America, Volume V. | Page 4

that he need not get any pictures for the front parlor, as I would much prefer having them all painted by Marianne. She has been four quarters with Miss Julia, and has worked Friendship and Innocence, which cost, altogether, upwards of a hundred dollars. Do you know the piece, Mr. Gummage? There is a tomb with a weeping willow, and two ladies with long hair, one dressed in pink, the other in blue, holding a wreath between them over the top of the urn. The ladies are Friendship. Then on the right hand of the piece is a cottage, and an oak, and a little girl dressed in yellow, sitting on a green bank, and putting a wreath round the neck of a lamb. Nothing can be more natural than the lamb's wool. It is done entirely in French knots. The child and the lamb are Innocence."
"Ay, ay," said Gummage, "I know the piece well enough--I've drawn them by dozens."
"Well," continued Mrs. Atmore, "this satin piece hangs over the front parlor mantel. It is much prettier and better done than the one Miss Longstitch worked of Charlotte at the tomb of Werter, though she did sew silver spangles all over Charlotte's lilac gown, and used chenille, at a fi'-penny-bit a needleful, for all the banks and the large tree. Now, as the mantel-piece is provided for, I wish a landscape for each of the recesses, and a figure-piece to hang on each side of the large looking-glass, with flower-pieces under them, all by Marianne. Can she do all these in one quarter?"
"No, that she can't," replied Gummage; "it will take her two quarters hard work, and maybe three, to get through the whole of them."
"Well, I won't stand about a quarter more or less," said Mrs. Atmore; "but what I wish Marianne to do most particularly, and, indeed, the chief reason why I send her to drawing-school just now, is a pattern for a set of china that we are going to have made in Canton. I was told the other day by a New York lady (who was quite tired of the queer unmeaning things which are generally put on India ware), that she had sent a pattern for a tea-set, drawn by her daughter, and that every article came out with the identical device beautifully done on the china, all in the proper colors. She said it was talked of all over New York, and that people who had never been at the house before, came to look at and admire it. No doubt it was a great feather in her daughter's cap."
"Possibly, madam," said Gummage.
"And now," resumed Mrs. Atmore, "since I heard this, I have thought of nothing else than having the same thing done in my family; only I shall send for a dinner set, and a very long one, too. Mr. Atmore tells me that the _Voltaire_, one of Stephen Girard's ships, sails for Canton early next month, and he is well acquainted with the captain, who will attend to the order for the china. I suppose in the course of a fortnight Marianne will have learned drawing enough to enable her to do the pattern?"
"Oh! yes, madam--quite enough," replied Gummage, suppressing a laugh.

"To cut the matter short," said Mr. Gummage, "the best thing for the china is a flower-piece--a basket, or a wreath--or something of that sort. You can have a good cipher in the center, and the colors may be as bright as you please. India ware is generally painted with one color only; but the Chinese are submissive animals, and will do just as they are bid. It may cost something more to have a variety of colors, but I suppose you will not mind that."
"Oh! no--no," exclaimed Mrs. Atmore, "I shall not care for the price; I have set my mind on having this china the wonder of all Philadelphia."
Our readers will understand, that at this period nearly all the porcelain used in America was of Chinese manufacture; very little of that elegant article having been, as yet, imported from France.
A wreath was selected from the portfolio that contained the engravings and drawings of flowers. It was decided that Marianne should first execute it the full size of the model (which was as large as nature), that she might immediately have a piece to frame; and that she was afterwards to make a smaller copy of it, as a border for all the articles of the china set; the middle to be ornamented with the letter A, in gold, surrounded by the rays of a golden star. Sprigs and tendrils of the flowers were to branch down from the border, so as nearly to reach the gilding in the middle. The large wreath that was intended to frame was to bear