place to resume.
Joel Chandler Harris, whose delightful stories of negro life hold such a high place in American literature, told me a story of an old negro who claimed that a sense of humor was necessary to happiness in married life. He said:
"I met a poor old darkey one day, pushing a wheelbarrow loaded with cooking utensils and household effects. Seeing me looking curiously at him, he shook his head and said:
"'I cain't stand her no longer, boss, I jes' nash'ully cain't stand her no longer.'
"'What's the matter, uncle?' I inquired.
"'Well, you see, suh, she ain't got no idee o' fun--she won't take a joke nohow. The other night I went home, an' I been takin' a little jes' to waam ma heart--das all, jes to waam ma heart--an' I got to de fence, an' tried to climb it. I got on de top, an' thar I stays; I couldn't git one way or t'other. Then a gem'en comes along, an' I says, "Would you min' givin' me a push?" He says, "Which way you want to go?" I says, "Either way--don't make no dif'unce, jes' so I git off de fence, for hit's pow'ful oncom'fable up yer." So he give me a push, an' sont me over to'ard ma side, an' I went home. Then I want sum'in t' eat, an' my ol' 'ooman she wouldn' git it fo' me, an' so, jes' fo' a joke, das all--jes' a joke, I hit 'er awn de haid. But would you believe it, she couldn't take a joke. She tu'n aroun', an' sir, she sail inter me sum'in' scan'lous! I didn' do nothin', 'cause I feelin' kind o'weak jes' then--an' so I made up ma min' I wasn' goin' to stay with her. Dis mawnin' she gone out washin', an' I jes' move right out. Hit's no use tryin' to live with a 'ooman who cain't take a joke!'"
From the poems of Thomas Bailey Aldrich to George Ade's Fables in Slang is a far cry, but one is as typical a style of humor as the other. Ade's is the more distinctly original, for he not only created the style, but another language. The aptness of its turns, and the marvelous way in which he hit the bull's-eye of human foibles and weaknesses lifted him into instantaneous popularity. A famous bon mot of George Ade's which has been quoted threadbare, but which serves excellently to illustrate his native wit, is his remark about a suit of clothes which the tailor assured him he could never wear out. He said when he put them on he didn't dare to.
From the laughter-makers pure and simple, we come to those who, while acknowledging the cloud, yet see the silver lining--the exponents of the smile through tears.
The best of these, Frank L. Stanton, has beautifully said:
"This world that we're a-livin' in Is mighty hard to beat; With every rose you get a thorn, But ain't the roses sweet?"
He does not deny the thorns, but calls attention to the sweetness of the roses--a gospel of compensation that speaks to the heart of all; kind words of cheer to the weary traveler.
Such a philosopher was the kind-hearted and sympathetic Irish boy who, walking along with the parish priest, met a weary organ-grinder, who asked how far it was to the next town. The boy answered, "Four miles." The priest remonstrated:
"Why, Mike, how can you deceive him so? You know it is eight."
"Well, your riverence," said the good-natured fellow, "I saw how tired he was, and I wanted to kape his courage up. If I'd told him the truth, he'd have been down-hearted intirely!"
This is really a jolly old world, and people are very apt to find just what they are looking for. If they are looking for happiness, the best way to find it is to try to give it to others. If a man goes around with a face as long as a wet day, perfectly certain that he is going to be kicked, he is seldom disappointed.
A typical exponent of the tenderly human, the tearfully humorous, is James Whitcomb Riley--a name to conjure with. Only mention it to anyone, and note the spark of interest, the smiling sigh, the air of gentle retrospection into which he will fall. There is a poem for each and every one, that commends itself for some special reason, and holds such power of memory or sentiment as sends it straight into the heart, to remain there treasured and unforgotten.
In these volumes are selections from the pen of all whom I have mentioned, as well as many more, including a number by the clever women humorists, of whom America is justly proud.
It is with pride and pleasure that I acknowledge the honor done me in being asked to introduce this
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