The Wild Olive | Page 9

Basil King
parallel with the lake. There was no moon, but the night was clear; and no sound but that of the shrill, sustained chorus of insect life.
Beyond the pasture the lane became nothing but a path, zigzagging up a hillside between patches of Indian corn. The girl sped over it so lightly that Ford would have found it hard to keep her in sight if from time to time she had not paused and waited. When he came near enough to see the outlines of her form she flew on again, less like a living woman than a mountain wraith.
From the top of the hill he could see the dull gleam of the lake with its girdle of lamp-lit towns. Here the woodland began again; not the main body of the forest, but one of its long arms, thrust down over hill and valley, twisting its way in among villages and farm lands. That which had been a path now become a trail, along which the girl flitted with the ease of habit and familiarity.
In the concentration of his effort to keep the moving white spot in view Ford lost count of time. Similarly he had little notion of the distance they were covering. He guessed that they had been ten or fifteen minutes on the way, and that they might have gone a mile, when, after waiting for him to come almost near enough to speak to her, she began moving in a direction at an acute angle to that by which they had come. At the same time he perceived that they were on the side of a low wooded mountain and that they were beating their way round it.
All at once they emerged on a tiny clearing--a grassy ledge on the slope. Through the starlight he could see the hillside break away steeply into a vaporous gorge, while above him the mountain raised a black dome amid the serried points of the sky-line. The dryad-like creature beckoned him forward with her scarf, until suddenly she stopped with the decisive pause of one who has reached her goal. Coming up with her, he saw her unlock the door of a small cabin, which had hitherto not detached itself from the surrounding darkness.
"Go in," she whispered. "Don't strike a light. There are biscuits somewhere, in a box. Grope for them. There's a couch in a corner."
Without allowing him to speak, she forced him gently over the threshold and closed the door upon him. Standing inside in the darkness, he heard the grating of her key in the lock, and the rustle of her skirts as she sped away.

III

From the heavy sleep of fatigue Ford woke with the twittering of birds that announces the dawn. His first thought before opening his eyes, that he was still in his cell, was dispelled by the silky touch of the Sorrento rugs on which he lay. He fingered them again and again in a kind of wonder, while his still half-slumbering senses struggled for the memory of what had happened, and the realization of where he was. When at last he was able to reconstruct the events of the preceding night, he raised himself on his elbow and peered about him in the dim morning twilight.
The object he discerned most readily was an easel, giving him the secret of his refuge. On the wooden walls of the cabin, which was fairly spacious, water-color sketches were pinned at intervals, while on the mantelpiece above a bricked fireplace one or two stood framed. Over the mantelpiece a pair of snow-shoes were crossed as decorations, between which hung a view of the city of Quebec. On a lay-figure in a corner was thrown carelessly the sort of blanket coat worn by Canadians during winter sports. Paints and palettes were arranged on a table by the wall, and on a desk in the middle of the room were writing materials and books. More books stood in a small suspended bookcase. Beside a comfortable reading-chair one or two magazines lay on the floor. His gaze travelled last to the large apron, or pinafore, on a peg fastened in a door immediately beside his couch. The door suggested an inner room, and he got up promptly to explore it. It proved to be cramped and dark, lighted only from the larger apartment, which in its turn had but the one high north window of the ordinary studio. The small room was little more than a shed or "lean-to", serving the purposes of kitchen and storeroom combined. The arrangements of the whole cabin showed that some one had built it with a view to passing in seclusion a few days at a time without forsaking the simpler amenities of civilized life; and it was clear that that "some one" was a
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