never flattered myself that it was because of my personal beauty; but in Paris, any young fellow who is dressed in the manner of Albion, hatted and gloved in the same style, is not entirely a cipher. But now it was not the same, by a long shot.
Sweetheart's beauty simply put me in my place as an unnoticed but perhaps correct supplement to her.
She knew she was a beauty, and was delighted when she looked into her mirror. Nothing escaped her. The soft hair threaded with sunshine, which, when loosened, curled to her knees; the clear white forehead and straight brows; the nose delicate and a trifle upturned; the scarlet lips and fine cut chin--she knew the value of each of these. She was pleased with the soft, full curve of her throat, the little ears, and the colour which came and went in her cheeks.
But her eyes were the first thing one noticed. They were the most beautiful gray eyes that ever opened under silken lashes. She approved of my telling her this, which duty I fulfilled daily. Perhaps it may be superfluous to say that we were very much in love. Did I say were?
I think that, as I am chanting the graces of Sweetheart, it might not be amiss to say that she is just an inch shorter than I am, and that no Parisienne carried a pretty gown with more perfection than she did. I have seen gowns that looked like the devil on the manikin, but when Sweetheart wore them they were the astonishment and admiration of myself. And I do know when a woman is well dressed, though I am an art critic.
Sweetheart regarded her beauty as an intimate affair between ourselves, a precious gift for our mutual benefit, to be carefully treasured and petted. Her attitude toward the world was unmistakable. The world might look-- she was indifferent. With our intimate friends she was above being flattered. Clifford said to me once: "She carries her beauty as a princess would carry the Koh-i-noor--she knows she is worthy of it, and hopes it is worthy of her.
"We ought to be so happy that I am beautiful!" she would say to me. "Just think, supposing I were not!"
I used to try to make her believe that it would have made no difference.
"Oh, not now," she would say gravely. "I know that if I lost it it would be the same to us both, now; but you can't make me believe that, at first, when you used to lean over the terrace of the Luxembourg and wait patiently for hours just to see me walk out of the Odeon."
"I didn't," I would always explain; "I was there by accident."
"Oh, what a funny accident to happen every day for two months!"
"Stop teasing! Of course, after the first week--"
"And what a funny accident that I should pass the same way every day for two months, when before I always went by the Rue de Seine!"
There was once such an accident, and such a girl. I never knew her; she is dead. I wondered sometimes that Sweetheart knew, and believed it was she herself. Yet the other woman's shadow was black.
Sweetheart had a most peculiar and unworldly habit of not embellishing facts. She presently displayed it when we arrived at the Hotel Lion d'Or.
"Jack," said she nervously, "the cinders have made your face unpleasant. I am ashamed. They may not believe you are my husband."
"As monsieur and madame," I said, "we may have dirty faces and be honest."
"Do you suppose they--they will believe it? These queer people--"
"They'd better!" I said fiercely.
"I--I hadn't thought of that," she said. "You see, in our own little place in Paris everybody knew it, but here--"
I said, "Dearest, what nonsense!" and we marched unceremoniously up to the register, where I wrote our names. Then, with a hasty little squeeze of her gloved hand, she turned to the maid and tripped off to inspect our quarters. While I was pumping the fat-headed old proprietor about the trout fishing in the vicinity, the maid returned with the request that I mount to the room above. I followed her along the tiled passages and found Sweetheart sitting on a trunk.
"It's charming! charming!" she said. "Just look at the roses outside, and the square, and the river! and oh, Jack, the funny little Breton cattle, and the old man with knee-breeches! It's charming! and "--here she caught sight of the enraptured and fascinated maid--" and you are charming, with your red cheeks and white coiffe," she said. "Oh, how pretty!"
"Oh, madame!" murmured the servant in dire confusion.
I said, "Dearest, that will do. Nobody speaks of my peculiar charms, and I wish to be noticed."
The presence of the maid prevented Sweetheart from making amends, so we told her we
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