The White Moll | Page 4

Frank L. Packard
seemed to have become lost, obliterated in that of the White Moll. A "dip" had given it to her, and the underworld, quick and trenchant in its "monikers," had instantly ratified it. There was not a crook or denizen of crimeland, probably, who did not know the White Moll; there was, probably, not one to-day who knew, or cared, that she was Rhoda Gray!
She went on, traversing block after block, entering a less deserted, though no less unsavory, neighborhood. Here, a saloon flung a sudden glow of yellow light athwart the sidewalk as its swinging doors jerked apart; and a form lurched out into the night; there, from a dance-hall came the rattle of a tinny piano, the squeak of a raspy violin, a high-pitched, hectic burst of laughter; while, flanking the street on each side, like interjected inanimate blotches, rows of squalid tenements and cheap, tumble-down frame houses silhouetted themselves in broken, jagged points against the sky-line. And now and then a man spoke to her - his untrained fingers fumbling in clumsy homage at the brim of his hat.
How strange a thing memory was! How strange, too, the coincidences that sometimes roused it into activity! It was a man, a thief, just like the man to-night, who had first brought her here into this shadowland of crime. That was just before her father had died. Her father had been a mining engineer, and, though an American, had been for many years resident in South America as the representative of a large English concern. He had been in ill health for a year down there, when, acting on his physician's advice, he had come to New York for consultation, and she had accompanied him. They had taken a little flat, the engineer had placed himself in the hands of a famous specialist, and an operation had been decided upon. And then, a few days prior to the date set for the operation and before her father, who was still able to be about, had entered the hospital, the flat had been broken into during the early morning hours. The thief, obviously not counting on the engineer's wakefulness, had been caught red-handed. At first defiant, the man had finally broken down, and had told a miserable story. It was hackneyed possibly, the same story told by a thousand others as a last defense in the hope of inducing leniency through an appeal to pity, but somehow to her that night the story had rung true. Pete McGee, alias the Bussard, the man had said his name was. He couldn't get any work; there was the shadow of a long abode in Sing Sing that lay upon him as a curse - a job here to-day, his record discovered to-morrow, and the next day out on the street again. It was very old, very threadbare, that story; there were even the sick wife, the hungry, unclothed children; but to her it had rung true. Her father had not placed the slightest faith in it, and but for her intervention the Bussard would have been incontinently consigned to the mercies of the police.
Her face softened suddenly now as she walked along. She remembered well that scene, when, at the end, she had written down the address the man had given her.
"Father is going to let you go, McGee, because I ask him to," she had said. "And to-morrow morning I will go to this address, and if I find your story is true, as I believe it is, I will see what I can do for you."
"It's true, miss, so help me God!" the man had answered brokenly. "Youse come an' see. I'll be dere-an'-an'-God bless youse, miss!"
And so they had let the man go free, and her father, with a whimsical, tolerant smile, had shaken his head at her. "You'll never find that address, Rhoda-or our friend the Bussard, either!"
But she had found both the Bussard and the address, and destitution and a squalor unspeakable. Pathetic still, but the vernacular of the underworld where men called their women by no more gracious names than "molls" and "skirts" no longer strange to her ears, there came to her again now the Bussard's words in which he had paid her tribute on that morning long ago, and with which he had introduced her to a shrunken form that lay upon a dirty cot in the barefloored room:
"Meet de moll I was tellin' youse about, Mag. She's white - all de way up. She's white, Mag; she's a white moll - take it from me."
The White Moll!
The firm little chin came suddenly upward; but into the dark eyes unbidden came a sudden film and mist. Her father's health had been too far undermined, and he bad been unable to withstand the shock of the
Continue reading on your phone by scaning this QR Code

 / 112
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.