The Whisperer in the Darkness | Page 7

H.P. Lovecraft
which he could not explain except in this imaginative way. It could not be as he thought it, I reflected, yet on the other hand, it could not be otherwise than worthy of investigation. The man seemed unduly excited and alarmed about something, but it was hard to think that all cause was lacking. He was so specific and logical in certain ways--and after all, his yarn did fit in so perplexingly well with some of the old myths--even the wildest Indian legends.
That he had really overheard disturbing voices in the hills, and had really found the black stone he spoke about, was wholly possible despite the crazy inferences he had made--inferences probably suggested by the man who had claimed to be a spy of the outer beings and had later killed himself. It was easy to deduce that this man must have been wholly insane, but that he probably had a streak of perverse outward logic which made the naive Akeley--already prepared for such things by his folklore studies--believe his tale. As for the latest developments--it appeared from his inability to keep hired help that Akeley's humbler rustic neighbours were as convinced as he that his house was besieged by uncanny things at night. The dogs really barked, too.
And then the matter of that phonograph record, which I could not but believe he had obtained in the way he said. It must mean something; whether animal noises deceptively like human speech, or the speech of some hidden, night-haunting human being decayed to a state not much above that of lower animals. From this my thoughts went back to the black hieroglyphed stone, and to speculations upon what it might mean. Then, too, what of the photographs which Akeley said he was about to send, and which the old people had found so convincingly terrible?
As I re-read the cramped handwriting I felt as never before that my credulous opponents might have more on their side than I had conceded. After all, there might be some queer and perhaps hereditarily misshapen outcasts in those shunned hills, even though no such race of star-born monsters as folklore claimed. And if there were, then the presence of strange bodies in the flooded streams would not be wholly beyond belief. Was it too presumptuous to suppose that both the old legends and the recent reports had this much of reality behind them? But even as I harboured these doubts I felt ashamed that so fantastic a piece of bizarrerie as Henry Akeley's wild letter had brought them up.
In the end I answered Akeley's letter, adopting a tone of friendly interest and soliciting further particulars. His reply came almost by return mail; and contained, true to promise, a number of Kodak views of scenes and objects illustrating what he had to tell. Glancing at these pictures as I took them from the envelope, I felt a curious sense of fright and nearness to forbidden things; for in spite of the vagueness of most of them, they had a damnably suggestive power which was intensified by the fact of their being genuine photographs--actual optical links with what they portrayed, and the product of an impersonal transmitting process without prejudice, fallibility, or mendacity.
The more I looked at them, the more I saw that my senous estimate of Akeley and his story had not been unjustified. Certainly, these pictures carried conclusive evidence of something in the Vermont hills which was at least vastly outside the radius of our common knowledge and belief. The worst thing of all was the footprint--a view taken where the sun shone on a mud patch somewhere in a deserted upland. This was no cheaply counterfeited thing, I could see at a glance; for the sharply defined pebbles and grassblades in the field of vision gave a clear index of scale and left no possibility of a tricky double exposure. I have called the thing a "footprint," but "claw-print" would be a better term. Even now I can scarcely describe it save to say that it was hideously crablike, and that there seemed to be some ambiguity about its direction. It was not a very deep or fresh print, but seemed to be about the size of an average man's foot. From a central pad, pairs of saw-toothed nippers projected in opposite directions--quite baffling as to function, if indeed the whole object were exclusively an organ of locomotion.
Another photograph--evidently a time-exposure taken in deep shadow--was of the mouth of a woodland cave, with a boulder of, rounded regularity choking the aperture. On the bare ground in front of it, one could just discern a dense network of curious tracks, and when I studied the picture with a magnifier I felt uneasily sure that the tracks were like the one in the other view. A
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