The Way of the Wind | Page 2

Zoe Anderson Norris
speck of dust from the hem of Celia's travelling dress.
"Yes," said she, "and such a husband!"
Celia looked wistfully out over the calm and quiet street, basking in the sunlight, peacefully minus a ripple of breeze to break the beauty of it, her large eyes sad.
"I'm afraid of the wind," she complained. "Sto'ms scah me."
And she reiterated:
"I'm afraid of the wind!"
Sarah suddenly ran down the walk on either side of which blossomed old fashioned flowers, Marsh Marigolds, Johnny-Jump-Ups and Brown-Eyed Susans. She stood at the front gate, which swung on its hinges, leaning over it, looking down the road.
"I thoat I heahd the stage," she called back. "Yes. Suah enuf. Heah it is, comin'."
At that Celia's mother, hurrying fearfully out the door, threw her arms around her.
Celia fell to sobbing.
"It's so fah away," she stammered brokenly, between her sobs. "I'm afraid ... to ... go.... It's so fah ... away!"
"Theah! theah!" comforted her mother, lifting up her face and kissing it. "It's not so fah but you can come back again. The same road comes that goes, deah one. Theah! Theah!"
"Miss Celia," cried a reproachful voice from the door. "Is you gwine away, chile, widout tellin' youah black Mammy good-by?"
Celia unclasped her mother's arms, fell upon the bosom of her black Mammy and wept anew.
"De Lawd be wid you, chile," cooed the voice of the negress, musical with tenderness, "an' bring you back home safe an' soun' in His own time."
The stage rolled up with clash and clatter and flap of curtain.
It stopped at the gate. There ensued the rush of departure, the driver, after hoisting the baggage of his one passenger thereto, looking stolidly down on the heartbreak from the height of his perch, his long whip poised in midair.
Celia's friends swarmed about her. They kissed her. They essayed to comfort her. They thrust upon her gifts of fruit and flowers and dainties for her lunch.
They bore her wraps out to the cumbersome vehicle which was to convey her to Lexington, the nearest town which at that time boasted of a railroad. They placed her comfortably, turning again and again to give her another kiss and to bid her good-by and God-speed.
It was as if her heartstrings wrenched asunder at the jerk of the wheels that started the huge stage onward.
"Good-by, good-by!" she cried out, her pale face at the window.
"Good-by," they answered, and Mansy Storm, running alongside, said to her:
"You give my love to Seth, Celia. Don't you fo'get."
Then breathlessly as the stage moved faster:
"If evah the Good Lawd made a man a mighty little lowah than the angels," she added, "that man's Seth."
The old stage rumbled along the broad white Lexington pike, past houses of other friends, who stood at gates to wave her farewell.
It rumbled past little front yards abloom with flowers, back of which white cottages blinked sleepily, one eye of a shuttered window open, one shut, past big stone gates which gave upon mansions of more grandeur, past smaller farms, until at length it drew up at the tollgate.
Here a girl with hair of sunshine, coming out, untied the pole and raised it slowly.
"You goin' away, Miss Celia?" she asked in her soft Southern brogue, tuneful as the ripple of water. "I heah sumbody say you was goin' away."
Celia smothered a sob.
"Yes," she answered, "I am goin' away."
"It's a long, long way out theah to the West," commented the girl wistfully as she counted out the change for the driver, "a long, long way!"
As if the way had not seemed long enough!
Celia sobbed outright.
"Yes," she assented, "it is a long, long way!"
"I am sawy you ah goin', Miss Celia," said the girl. "Good-by. Good luck to you!" And the stage moved on, Celia staring back at her with wide sad eyes. The girl leaned forward, let the pole carefully down and fastened it. As she did so a ray of sunshine made a halo of her hair.
Celia flung herself back into the dimness of the corner and wept out her heart. It seemed to her that, with the letting down of that pole, she had been shut out of heaven.
CHAPTER II.
[Illustration]
In all her life Celia had not travelled further from her native town than Lexington, which was thirty miles away. It was not necessary. She lived in the garden spot of the world, an Eden with all things sufficient for a simple life.
As she stood at the station, waiting for her train, an old negro shuffled by. He hummed the refrain of "Old Kentucky Home," "Fare you well, my lady!" It seemed meant for her. The longing was strong within her to fly back to the old town she loved so well; but the train, roaring in just then, intimidated her by its unaccustomed turmoil and she allowed herself to be hauled on board by
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