The Way of Ambition | Page 5

Robert Smythe Hichens
to."
"Then why were you so anxious to go?"
"I don't like to be left out of things. No one does."
"Except the elect. How thoughtful of you to dress in black!"
"Well, dearest, you are always in white. And I love to throw up my beautiful mother."
Mrs. Mansfield put an arm gently round her as they left the dining-room.
"You could make any mother be a sister to you."
Just before ten their motor glided up to the Elliots' green door in Cadogan Place.
Max Elliot was the very successful senior partner of an old-established stockbroking firm in the City. This was a fact, so people had to accept it. But acceptance was made difficult by his almost strangely unfinancial appearance and manner. Out of the City he never spoke of the City. He was devoted to the arts, and especially to music, of which he had a really considerable knowledge. All prominent musicians knew him. He was the friend of prime donne, a pillar of the opera, an ardent frequenter of all the important concerts. Where Threadneedle Street came into his life nobody seemed to know. Nevertheless, his numerous clients trusted him completely as a business man. And more than one singer, whose artistic temperament had brought her--or him, as the case might be--to the door of the poorhouse, had reason to bless Max Elliot's shrewd business head and generous industry in friendship. He had a good heart as well as a fine taste, and his power of criticism had not succeeded in killing his capacity for enthusiasm.
"He's not begun yet!" murmured Charmian to her mother, as the butler led them sedately down a rather long hall, past two or three doors, to the music-room which Elliot had built out at the back of his house.
"I never heard that he was going to begin at all. We haven't come here for a performance, but to make an acquaintance."
Charmian twisted her lips, and the butler opened the door and announced them.
At the end of the room, which was panelled with wood and was high, by a large open fireplace, Max Elliot was sitting with Paul Lane and two other people, a woman and a young man. The woman was large and broad, with brown hair, reckless hazel eyes, and a nose and mouth which suggested a Roman emperor. She looked about thirty-five. In her large ears, which were set very flat against her head, there were long, diamond earrings, and diamonds glittered round her neck. She was laughing when the Mansfields came in, and went on laughing while Max Elliot went to receive them.
"Mrs. Shiffney has just come," he said. "Paul has been dining."
"And--the other?" murmured Charmian, with a hushed air of awed expectation which was not free from a hint of mockery.
Mrs. Mansfield sent her a glance of half-humorous rebuke.
"Claude Heath," answered Elliot.
"How wonderful he is."
"Charmian, don't be tiresome!" observed her mother, as they went toward the fire.
The two men got up, and Charmian had an impression of height, of a bony slimness that was almost cadaverous, of irregular features, rather high cheek-bones, brown, very short hair, and large, enthusiastic and observant eyes that glanced almost piercingly at her, and quickly looked away.
Mrs. Shiffney remained in her armchair, moved her shoulders, and said in a rather deep, but not disagreeable voice:
"Mr. Heath and I are hearing all about 'Marella.' It builds you up if you are a skeleton and pulls you down if you are enormous, as I am. It makes you sleep if you suffer from insomnia, and if you have the sleeping sickness it wakes you up. Dr. Curling has patented it, and feeds his patients on nothing else. Delia is living entirely on it, and is to emerge looking seventeen and a female Sandow. Mr. Heath is longing to try it."
She had held out a powerful hand to the new arrivals, and now turned toward the composer, who stood waiting to be introduced.
"Oh, but no, please!" said Heath, speaking quickly and almost anxiously, with a certain na?vet�� that was attractive, but that did not suggest simplicity, but rather great sensitiveness of mind. "I never take quack medicines or foods. I have no need to. And I think they're all invented to humbug us."
Max Elliot took him by the arm.
"I want to introduce you to a dear friend of mine, Mrs. Mansfield."
He paused and added:
"Mr. Claude Heath--Miss Mansfield."
Paul Lane began talking to Charmian when the two handshakes--Heath had shaken hands quickly--were over. She looked across the room, and saw her mother in conversation with the composer. And she knew immediately that he had conceived a strong liking for her mother. It seemed to her in that moment as if his liking for her mother might prevent him from liking her, and, she did not know why, she was aware of a faint sensation
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