The Wailing Asteroid | Page 5

way to Earth?"
The exit from the highway to Burke Development appeared. Burke swung off the surfaced road and into the four-acre space his small and unusual business did not begin to fill up.
"If it were an offer of communication, it should be short and simple. Maybe an arithmetic sequence of dots, to say that they were intelligent beings and would like the sequence carried on if we had brains, too. Then we'd know somebody friendly was coming and wanted to exchange ideas before, if necessary, swapping bombs."
The car's headlights swept over the building in which the experimental work of Burke Development was done and on to the small house in which Sandy kept the books and records of the firm, Burke put on the brakes before the office door.
"Just to see if my head is working right," he said, "I raise a question about those signals. One doesn't send a long message to emptiness, repeated, in the hope that someone may be around to catch it. One calls, and sends a long message only when the call is answered. The call says who's wanted and who's calling, but nothing more. This isn't that sort of thing,"
He got out of the car and opened the door on her side, then unlocked the office door and went in. He switched on the lights inside. For a moment, Sandy did not move. Then she slowly got out of the car and entered the once which was so completely familiar. Burke bent over the office safe, turning the tumbler-wheel to open it. He said over his shoulder, "That special bulletin will be repeated on all the news broadcasts. You've got a little radio here. Turn it on, will you?"
Again slowly, Sandy crossed the office and turned on the miniature radio on her desk. It warmed up and began to make noises. She dimmed it until it was barely audible. Burke stood up with a reel of brown tape. He put it on the office recorder, usually used for the dictation of the day's lab log.
"I have a dream sometimes," said Burke, "A recurrent dream. I've had it every so often since I was eleven. I've tried to believe it was simply a freak, but sometimes I've suspected I was a telepath, getting some garbled message from somewhere unguessable. That has to be wrong. And again I've suspected that-- well-- that I might not be completely human. That I was planted here on Earth, somehow, not knowing it, to be of use to-- something not of Earth. And that's crazy. So I've been pretty leery of being romantic about anybody. Tonight I'd managed to persuade myself all those wild imaginings were absurd. And then the signals came." He paused and said unsteadily, "I made this tape a year ago. I was trying to convince myself that it was nonsense. Listen. Remember, I made this a year ago!"
The reels began to spin on the recorder's face. Burke's voice came out of the speaker, "These are the sounds of the dream," it said, and stopped.
There was a moment of silence, while the twin reels spun silently. Then sounds came from the recorder. They were musical notes, reproduced from the tape. Sandy stared blankly. Disconnected, arbitrary flutelike sounds came out into the office of Burke Development, Inc. It was quite correct to call them elfin. They could be described as plaintive. They were not a melody, but a melody could have been made from them by rearrangement. They were very remarkably like the sounds from space. It was impossible to doubt that they were the same code, the same language, the same vocabulary of tones and durations.
Burke listened with a peculiarly tense expression on his face. When the recording ended, he looked at Sandy.
Sandy was disturbed. "They're alike. But Joe, how did it happen?"
"I'll tell you later," he said grimly. "The important thing is, am I crazy or not?"
The desk radio muttered. It was an hourly news broadcast. Burke turned it up and a voice boomed:
"...one o'clock news. Messages have been received from space in the century's most stupendous news event! Full details will follow a word from our sponsor."
There followed an ardent description of the social advantage, personal satisfaction and business advancement that must instantly follow the use of a particular intestinal regulator. The commercial ended.
"From deepest space," boomed the announcer's voice, "comes a mystery! There is intelligent life in the void. It has communicated with us. Today--"
Because of the necessity to give the later details of a cafe-society divorce case, a torch murder and a graft scandal in a large city's municipal budget, the signals from space could not be fully treated in the five-minute hourly news program. But fifteen seconds were spared for a sample of the cryptic sounds from emptiness. Burke listened to them