The Voice of the Machines

Gerald Stanley Lee
Voice of the Machines, by Gerald
Stanley Lee

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Title: The Voice of the Machines An Introduction to the Twentieth
Century
Author: Gerald Stanley Lee
Release Date: January 15, 2007 [EBook #20361]
Language: English
Character set encoding: ISO-8859-1
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The Voice of the Machines
An Introduction to the Twentieth Century

BY
Gerald Stanley Lee
The Mount Tom Press Northampton, Massachusetts

COPYRIGHT, 1906 BY THE MOUNT TOM PRESS

TO JENNETTE LEE
... "Now and then my fancy caught A flying glimpse of a good life
beyond-- Something of ships and sunlight, streets and singing, Troy
falling, and the ages coming back, And ages coming forward."...

Contents

PART I
THE MEN BEHIND THE MACHINES
I.--Machines as Seen from a Meadow II.--As Seen through a Hatchway
III.--The Souls of Machines IV.--Poets V.--Gentlemen VI.--Prophets

PART II
THE LANGUAGE OF THE MACHINES
I.--As Good as Ours II.--On Being Busy and Still III.--On Not Showing
Off IV.--On Making People Proud of the World V.--A Modest

Universe

PART III
THE MACHINES AS POETS
I.--Plato and the General Electric Works II.--Hewing away on the
Heavens and the Earth III.--The Grudge against the Infinite
IV.--Symbolism in Modern Art V.--The Machines as Artists VI.--The
Machines as Philosophers

PART IV
THE IDEAS BEHIND THE MACHINES
I.--The Idea of Incarnation II.--The Idea of Size III.--The Idea of
Liberty IV.--The Idea of Immortality V.--The Idea of God VI.--The
Idea of the Unseen and the Intangible VII.--The Idea of Great Men
VIII.--The Idea of Love and Comradeship

PART ONE
THE MEN BEHIND THE MACHINES

I
MACHINES. AS SEEN FROM A MEADOW
It would be difficult to find anything in the encyclopedia that would
justify the claim that we are about to make, or anything in the
dictionary. Even a poem--which is supposed to prove anything with a

little of nothing--could hardly be found to prove it; but in this
beginning hour of the twentieth century there are not a few of us--for
the time at least allowed to exist upon the earth--who are obliged to say
(with Luther), "Though every tile on the roundhouse be a devil, we
cannot say otherwise--the locomotive is beautiful."
As seen when one is looking at it as it is, and is not merely using it.
As seen from a meadow.
We had never thought to fall so low as this, or that the time would
come when we would feel moved--all but compelled, in fact--to betray
to a cold and discriminating world our poor, pitiful, one-adjective state.
We do not know why a locomotive is beautiful. We are perfectly aware
that it ought not to be. We have all but been ashamed of it for being
beautiful--and of ourselves. We have attempted all possible words upon
it--the most complimentary and worthy ones we know--words with the
finer resonance in them, and the air of discrimination the soul loves.
We cannot but say that several of these words from time to time have
seemed almost satisfactory to our ears. They seem satisfactory also for
general use in talking with people, and for introducing locomotives in
conversation; but the next time we see a locomotive coming down the
track, there is no help for us. We quail before the headlight of it. The
thunder of its voice is as the voice of the hurrying people. Our little row
of adjectives is vanished. All adjectives are vanished. They are as one.
Unless the word "beautiful" is big enough to make room for a glorious,
imperious, world-possessing, world-commanding beauty like this, we
are no longer its disciples. It is become a play word. It lags behind truth.
Let it be shut in with its rim of hills--the word beautiful--its show of
sunsets and its bouquets and its doilies and its songs of birds. We are
seekers for a new word. It is the first hour of the twentieth century. If
the hill be beautiful, so is the locomotive that conquers a hill. So is the
telephone, piercing a thousand sunsets north to south, with the sound of
a voice. The night is not more beautiful, hanging its shadow over the
city, than the electric spark pushing the night one side, that the city may
behold itself; and the hour is at hand--is even now upon us--when not

the sun itself shall be
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