The Varieties of Religious Experience | Page 6

and felt myself clear, I went out of the town in peace; and returning to the shepherds gave them some money, and took my shoes of them again. But the fire of the Lord was so on my feet, and all over me, that I did not matter to put on my shoes again, and was at a stand whether I should or no, till I felt freedom from the Lord so to do: then, after I had washed my feet, I put on my shoes again. After this a deep consideration came upon me, for what reason I should be sent to cry against that city, and call it The bloody city! For though the parliament had the minister one while, and the king another, and much blood had been shed in the town during the wars between them, yet there was no more than had befallen many other places. But afterwards I came to understand, that in the Emperor Diocletian's time a thousand Christians were martyr'd in Lichfield. So I was to go, without my shoes, through the channel of their blood, and into the pool of their blood in the market-place, that I might raise up the memorial of the blood of those martyrs, which had been shed above a thousand years before, and lay cold in their streets. So the sense of this blood was upon me, and I obeyed the word of the Lord."
Bent as we are on studying religion's existential conditions, we cannot possibly ignore these pathological aspects of the subject.
We must describe and name them just as if they occurred in non-religious men. It is true that we instinctively recoil from seeing an object to which our emotions and affections are committed handled by the intellect as any other object is handled. The first thing the intellect does with an object is to class it along with something else. But any object that is infinitely important to us and awakens our devotion feels to us also as if it must be sui generis and unique. Probably a crab would be filled with a sense of personal outrage if it could hear us class it without ado or apology as a crustacean, and thus dispose of it. "I am no such thing, it would say; I am MYSELF, MYSELF alone.
The next thing the intellect does is to lay bare the causes in which the thing originates. Spinoza says: "I will analyze the actions and appetites of men as if it were a question of lines, of planes, and of solids." And elsewhere he remarks that he will consider our passions and their properties with the same eye with which he looks on all other natural things, since the consequences of our affections flow from their nature with the same necessity as it results from the nature of a triangle that its three angles should be equal to two right angles. Similarly M. Taine, in the introduction to his history of English literature, has written: "Whether facts be moral or physical, it makes no matter. They always have their causes. There are causes for ambition, courage, veracity, just as there are for digestion, muscular movement, animal heat. Vice and virtue are products like vitriol and sugar." When we read such proclamations of the intellect bent on showing the existential conditions of absolutely everything, we feel--quite apart from our legitimate impatience at the somewhat ridiculous swagger of the program, in view of what the authors are actually able to perform--menaced and negated in the springs of our innermost life. Such cold-blooded assimilations threaten, we think, to undo our soul's vital secrets, as if the same breath which should succeed in explaining their origin would simultaneously explain away their significance, and make them appear of no more preciousness, either, than the useful groceries of which M. Taine speaks.
Perhaps the commonest expression of this assumption that spiritual value is undone if lowly origin be asserted is seen in those comments which unsentimental people so often pass on their more sentimental acquaintances. Alfred believes in immortality so strongly because his temperament is so emotional. Fanny's extraordinary conscientiousness is merely a matter of overinstigated nerves. William's melancholy about the universe is due to bad digestion--probably his liver is torpid. Eliza's delight in her church is a symptom of her hysterical constitution. Peter would be less troubled about his soul if he would take more exercise in the open air, etc. A more fully developed example of the same kind of reasoning is the fashion, quite common nowadays among certain writers, of criticizing the religious emotions by showing a connection between them and the sexual life. Conversion is a crisis of puberty and adolescence. The macerations of saints, and the devotion of missionaries, are only instances of the parental instinct of