and the Bourse. But by this time the gay Baron d'Azan had become stout, the pillar of his neck seemed shorter because it was thicker, and the rose in his bold cheek had the purplish tint of a crimson rambler. So he died of an apoplexy during the festivities, and his son brought him back to the Chateau d'Azan, and buried him there with due honor, and mourned for him as was fitting. Thus Albert, third Baron d'Azan, entered upon his inheritance.
It seemed, at first, to consist mainly of debts. These were paid by the sale of the deforested lands and of certain detached woodlands. By the same method, much as he disliked it, he made a modest provision of money for continuing his education and beginning his travels. He knew that he had much to learn of the world, and he was especially desirous of pursuing his favorite study of botany, which a wise old priest at Louvain had taught him to love. So he engaged an intelligent and faithful forester to care for the trees and the estate, closed the house, and set forth on his journeys.
They led him far and wide. In the course of them no doubt he studied other things than botany. It may be that he sowed some of the wild oats with which youth is endowed; but not in the gardens of others; nor with that cold self-indulgence which transforms passionate impulse into sensual habit. He had a permanent and regulative devotion to botanical research; and that is a study which seems to promote modesty, tranquillity, and steadiness of mind in its devotees, of whom the great Linnaeus is the shining exemplar. Young Albert d'Azan sat at the feet of the best masters in Europe and America. He crossed the western continent to observe the oldest of living things, the giant Sequoias of California. He went to Australasia and the Dutch East Indies and South America in search of new ferns and orchids. He investigated the effect of ocean currents and of tribal migrations in the distribution of trees. His botanical monographs brought him renown among those who know, and he was elected a corresponding member of many scientific societies. After twenty years of voyaging he returned to port at Azan, richly laden with observation and learning, and settled down among his trees to pursue his studies and write his books.
The estate, under the forester's care, had improved a little and promised a modest income. The house, though somewhat dilapidated, was easily made livable. But the one thing that was full of glory and splendor, triumphantly prosperous, was the great avenue of beeches. Their long, low aisle of broad arches was complete. They shimmered with a pearly mist of buds in early spring and later with luminous green of tender leafage. In mid-summer they formed a wide, still stream of dark, unruffled verdure; in autumn they were transmuted through glowing yellow into russet gold; in winter their massy trunks were pillars of gray marble and the fan-tracery of their rounded branches was delicately etched against the sky.
"Look at them," the baron would say to the guests whom the fame of his learning and the charm of his wide-ranging conversation often brought to his house. "Those beeches were planted by my grandfather after the battle of Wagram, when Napoleon whipped the Austrians. After that came the Beresina and Leipsic and Waterloo and how many battles and wars of furious, perishable men. Yet the trees live on peaceably, they unfold their strength in beauty, they have not yet reached the summit of their grandeur. We are all parvenus beside them."
"If you had to choose," asked the great sculptor Constantin Meunier one day, "would you have your house or one of these trees struck by lightning?"
"The house," answered the botanist promptly, "for I could rebuild it in a year; but to restore the tree would take three-quarters of a century."
"Also," said the sculptor, with a smile, "you might change the style of your house with advantage, but the style of these trees you could never improve."
"But tell me," he continued, "is it true, as they say, that lightning never strikes a beech?"
"It is not entirely true," replied the botanist, smiling in his turn, "yet, like many ancient beliefs, it has some truth in it. There is something in the texture of the beech that seems to resist electricity better than other trees. It may be the fatness of the wood. Whatever it is, I am glad of it, for it gives my trees a better chance."
"Don't be too secure," said the sculptor, shaking his head. "There are other tempests besides those in the clouds. When the next war comes in western Europe Belgium will be the battle-field. Beech-wood is very good to burn."
"God forbid," said the
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