of a sudden, nearer to him than any one else--a last barrier between himself and the mystery that awaited him outside.
"Come, you poor sparrow," she said, dragging him across the threshold of the chapel, "the abate is here asking for you;" and she crossed herself, as though she had named a saint.
Odo pulled away from her with a last wistful glance at Saint Francis, who looked back at him in an ecstasy of commiseration.
"Come, come," Filomena repeated, dropping to her ordinary key as she felt the resistance of the little boy's hand. "Have you no heart, you wicked child? But, to be sure, the poor innocent doesn't know! Come cavaliere, your illustrious mother waits."
"My mother?" The blood rushed to his face; and she had called him "cavaliere"!
"Not here, my poor lamb! The abate is here; don't you see the lights of the carriage? There, there, go to him. I haven't told him, your reverence; it's my silly tender-heartedness that won't let me. He's always been like one of my own creatures to me--" and she confounded Odo by bursting into tears.
The abate stood on the doorstep. He was a tall stout man with a hooked nose and lace ruffles. His nostrils were stained with snuff and he took a pinch from a tortoise-shell box set with the miniature of a lady; then he looked down at Odo and shrugged his shoulders.
Odo was growing sick with apprehension. It was two days before the appointed time for his weekly instruction and he had not prepared his catechism. He had not even thought of it--and the abate could use the cane. Odo stood silent and envied girls, who are not disgraced by crying. The tears were in his throat, but he had fixed principles about crying. It was his opinion that a little boy who was a cavaliere might weep when he was angry or sorry, but never when he was afraid; so he held his head high and put his hand to his side, as though to rest it on his sword.
The abate sneezed and tapped his snuff-box.
"Come, come, cavaliere, you must be brave--you must be a man; you have duties, you have responsibilities. It's your duty to console your mother--the poor lady is plunged in despair. Eh? What's that? You haven't told him? Cavaliere, your illustrious father is no more."
Odo stared a moment without understanding; then his grief burst from him in a great sob, and he hid himself against Filomena's apron, weeping for the father in damascened armour and scarlet cloak.
"Come, come," said the abate impatiently. "Is supper laid? for we must be gone as soon as the mist rises." He took the little boy by the hand. "Would it not distract your mind to recite the catechism?" he inquired.
"No, no!" cried Odo with redoubled sobs.
"Well, then, as you will. What a madman!" he exclaimed to Filomena. "I warrant it hasn't seen its father three times in its life. Come in, cavaliere; come to supper."
Filomena had laid a table in the stone chamber known as the bailiff's parlour, and thither the abate dragged his charge and set him down before the coarse tablecloth covered with earthen platters. A tallow dip threw its flare on the abate's big aquiline face as he sat opposite Odo, gulping the hastily prepared frittura and the thick purple wine in its wicker flask. Odo could eat nothing. The tears still ran down his cheeks and his whole soul was possessed by the longing to steal back and see whether the figure of the knight in the scarlet cloak had vanished from the chapel wall. The abate sat in silence, gobbling his food like the old black pig in the yard. When he had finished he stood up, exclaiming: "Death comes to us all, as the hawk said to the chicken. You must be a man, cavaliere." Then he stepped into the kitchen, and called out for the horses to be put to.
The farm hands had slunk away to one of the outhouses, and Filomena and Jacopone stood bowing and curtseying as the carriage drew up at the kitchen door. In a corner of the big vaulted room the little foundling was washing the dishes, heaping the scraps in a bowl for herself and the fowls. Odo ran back and touched her arm. She gave a start and looked at him with frightened eyes. He had nothing to give her, but he said: "Good-bye, Momola"; and he thought to himself that when he was grown up and had a sword he would surely come back and bring her a pair of shoes and a panettone. The abate was calling him, and the next moment he found himself lifted into the carriage, amid the blessings and lamentations of his foster-parents; and with a great baying of dogs
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