The Uttermost Farthing | Page 5

Marie Belloc Lowndes
wear and tear--which set apart, in our sane workaday world, the human plaything.
The sight of these leave-takings made the American's face flush darkly; it was hateful to him to think that Mrs. Pargeter must suffer, even for a few moments, the proximity of such women--of such men. He felt a violent shrinking from the thought that any one of these gay, careless young Frenchmen might conceivably know Peggy--if only by sight--as the charming, "elegant" wife of Tom Pargeter, the well-known sportsman who had done France the signal honour of establishing his racing stable at Chantilly instead of at Newmarket! The thought that such an encounter was within the bounds of possibility made Vanderlyn for a moment almost hope that the woman for whom he was waiting would not come after all.
He cursed himself for a fool. Why had he not thought of driving her out to one of the smaller stations on the line whence they could have started, if not unseen, then unobserved?
But soon the slowly-growing suspicion that she, after all, was perhaps not coming to-night, brought with it an agonising pang. Very suddenly there occurred to him the horrible possibility of material accident. Mrs. Pargeter was not used even to innocent adventure; she lived the guarded, sheltered existence which belongs of right to those women whose material good fortune all their less fortunate sisters envy. The dangers of the Paris streets rose up before Vanderlyn's excited imagination, hideous, formidable....
Then, quite suddenly, Margaret Pargeter herself stood before him, smiling a little tremulously.
She was wearing a grey, rather austere tailor-made gown; it gave a girlish turn to her slender figure, and on her fair hair was poised the little boat-shaped hat and long silvery gauze veil which have become in a sense the uniform of a well-dressed Parisienne on her travels.
As he looked at her, standing there by his side, Vanderlyn realised how instinctively tender, how passionately protective, was his love for her; and again there came over him the doubt, the questioning, as to why she was doing this....
"Messieurs, mesdames, en voiture, s'il vous pla?t! En voiture, s'il vous pla?t!"
He put his hand on her shoulder--her head was very little higher than his heart--and guided her to the railway carriage which had been kept for them.

II.
And now Laurence Vanderlyn and Margaret Pargeter were speeding through the night, completely and physically alone as they had never been during the years of their long acquaintanceship; and, as he sat there, with the woman he had loved so long and so faithfully wholly in his power, there came over Vanderlyn a sense of fierce triumph and conquest.
The train had not started to time. There had come a sound of eager talking on the platform, and Vanderlyn, filled with a vague apprehension, had leaned out of the window and with some difficulty ascertained the cause of the delay. The guard in charge of the train, the man, that is, whom he had feed so well in order to secure privacy, had strained his hand in lifting a weight, and another employé had had to take his place.
But at last the few moments of waiting--to Vanderlyn they had seemed an hour--had come to an end. At last the train began to move, that slow and yet relentless movement which is one of the few things in our modern world which spell finality. To the man and the woman it was the starting of the train which indicated to them both that the die was indeed cast.
Vanderlyn looked at his companion. She was gazing up at him with a strange expression of gladness, of relief, on her face. The long years of restraint and measured coldness seemed to have vanished, receded into nothingness.
She held out her ringless hand and clasped his, and a moment later they were sitting hand in hand, like two children, side by side. With a rather awkward movement he slipped on her finger a thin gold ring--his dead mother's wedding-ring,--but still she said nothing. Her head was turned away, and she was staring out of the window, as if fascinated by the flying lights. He knew rather than saw that her eyes were shining, her cheeks pink with excitement; then she took off her hat, and he told himself that her fair hair gleaming against the grey-brown furnishings of the railway carriage looked like a golden aureole.
Suddenly Laurence Vanderlyn pressed the hand he was holding to his lips, dropped it, and then stood up. He pulled the blue silk shade over the electric light globe which hung in the centre of the carriage; glanced through one of the two tiny glazed apertures giving a view of the next compartment; then he sat down by her, and in the half darkness gathered her into his arms.
"Dear," he said, in a voice that
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