The Use and Need of the Life of Carrie A. Nation | Page 6

room, with my brother's gun in his hands. At the end of the porch was a small room, called the "saddle room." A pane of glass was out of the window and a hen flew out, cackling. Aunt Judy, the colored woman, went in to get the egg, and walked in front of Mr. Brown, who raised the gun and said: "Judy, I am going to shoot you," not thinking the gun was loaded. It went off, and aunt Judy fell. Mr. Brown began to wring his hands and cry in great agony. I screamed and kept running around a small tree near by. This was Sunday morning. Runners were sent for the doctor, and for my parents, who were at church. Aunt Judy got well, but had one eye out; we could always feel the shot in her forehead. She was one of the best servants, and a dear good friend to me. She used to bring two of her children and come up to my room on Sundays and sit with me, saying, she did not want to be in the cabin when "strange niggers were there." This misfortune had disfigured her face and she always avoided meeting people. I can see her now, with one child at the breast, and another at her knee, with her hand on its head, feeling for "buggars." I was very much attached to this woman and wanted to take care of her in her old age. I went to Southern Texas to get her in 1873. I found some of her children in Sherman, Texas, but aunt Judy had been dead six months. She always said she wanted to live with me.
My mother always left her small children in the care of the servants. I was quite a little girl before I was allowed to eat at "white folk's table." Once my mother had been away several days and came home bringing a lot of company with her. I ran out when I saw the carriages driving up, and cried: "Oh, ma, I am so glad to see you. I don't mind sleeping with aunt Eliza, but I do hate to sleep with uncle Josh," think I was quite dirty, and some of the colored servants snatched me out of sight. Aunt Eliza was aunt Judy's half-sister, her father was a white man. She was given to my father by my grandmother, was very bright and handsome, and the mother of seventeen children. My grandmother remembered aunt Eliza in her will, giving her some linen sheets, furniture, and other things.
One of aunt Eliza's sons was named Newton. My father had a mill and store up in Lincoln County, near Hustonville. Newton used to do the hauling for my father with a large wagon and six-mule team. He would often do the buying for the store and take measurements of grain, and my father trusted him implicitly. Once a friend of my father said to him, as Newton was passing along the street with his team: "George, I'll give you seventeen hundred dollars for that negro." My father said: "If you would fill that wagon-bed full of gold, you could not get him." A few weeks after that Newton died. I remember seeing my father in the room weeping, and remember the chorus of the song the negroes sang on that occasion: "Let us sit down and chat with the angels."
The husband of aunt Eliza was "uncle Josh," a small Guinea negro, as black as coal and very peculiar. I always stood in awe of him, as all the children did. I remember one expression of his was: "Get out of the way, or I'll knock you into a cocked hat." The reason I had to sleep with aunt Eliza, Betsy, my nurse, was only ten years older than I was. Betsy was a girl given by my grandfather Campbell to my mother when my father and mother were married. My mother was a widow when she married my father. She had married Will Caldwell, a son of Capt. Caldwell, who died in Sangamon County, Ill., he had freed his negroes and moved there from Kentucky. Will Caldwell died after three years, leaving my mother with two children. Both of them died at my grandfather Campbell's in Mercer county, Kentucky, before she married my father.
I was about four years old when my grandmother Moore died. She lived on a farm in Garrard County, about two miles from my father. She used to ride a mare called "Kit." Whenever we would see grandma coming up the avenue, the whole lot of children, white and black, ran to meet her. She always carried on the horn of her saddle a handbag, then called a "reticule," and in that she always brought us some little