The Tyranny of Weakness | Page 5

Charles Neville Buck
between songs more than once the boy heard a laugh--a laugh which he recognized. He could even make out a scrap of light color which must be her dress. Such were the rewards of his night watch, a melancholy and external gaze upon a Paradise barred to him by a stubbornness which his youth mistook for honorable pride.
At last two buggies rattled down the drive with much shouting of farewells and ten minutes later Jimmy's saddle horse clattered off at a gallop. The visitors were gone silence was left behind them. But Conscience did not at once turn into the house and close the door behind her. She stood by one of the tall pillars and the boy strained his gaze to make out more than the vague outline of a shadow-shape. Then slowly she came down the stairs and out onto the moonlit lawn, walking meditatively in the direction of Stuart Farquaharson's hiding place. The boy's heart leaped into a heightened tattoo and he bent eagerly forward with his lips parted. She moved lightly through the luminance of a world which the moon had burnished into tints of platinum and silver, and she was very lovely, he thought, in her child-beauty and slenderness, the budding and virginal freshness that was only beginning to stir into a realization of something meant by womanhood. He bent, half kneeling, in his ambuscade with that dream of love which was all new and wonderful: a thing of such untarnished romance as only life's morning can give to the young.
Then into the dream welled a futile wave of resentment and poisoned it with bitterness. She had played with him and mocked him and cast him aside and to her he was less than nothing. A few moments ago her voice had drifted to him in an abandonment of merriment though she was going away without seeing him. Night after night he had come here, merely for the sad pleasure of watching her move through the shadows and the distance.
Now, unconscious of his nearness, the girl came on until she halted beyond the fence, not more than ten yards away. Cardinal Richelieu fidgeted on his haunches and silenced, with a difficult self-repression, the puzzled whine which came into his throat. The tempered spot-light of the moon was on Conscience's lashes and lips, and the boy stiffened into a petrified astonishment, for quite abruptly and without warning she carried both slim hands to her face and her body shook with something like a paroxysm of sobs.
In a moment she took her hands away and her eyes were shining with a tearful moisture. A lock of hair fell over her face. She tossed it back, then she moved a few steps nearer and rested both arms on the top rail of the fence. In them she buried her cheeks and began to cry softly. Stuart Farquaharson could almost have touched her but he was quite invisible. He felt himself an eavesdropper, but he could not escape without being seen.
The case was different with Cardinal Richelieu. Repressed emotions have been said to kill strong men. They did not kill the Cardinal, but they conquered him. From his raggedly whiskered lips burst a growl and a yawp which, too late, he regretted.
The girl gave a little scream and started back and Stuart realized it was time to reassure her. He rose up, materializing into a tall shape in the shadows like a jinn conjured from empty blackness.
"It's only me--Stuart Farquaharson," he said, and Conscience gave a little outcry of delight in the first moment of surprise. But that she swiftly stifled into a less self-revealing demeanor as she demanded with recovered dignity, "What are you doing here?"
The boy vaulted the fence and stood at her side while the mollified Cardinal waved a stubby tail, as one who would say--"Now you see it took my dog sense to bring you two together. Without me you were quite helpless."
"Why were you crying, Conscience?" Stuart asked, ignoring alike her question and the rebuke in her voice, but she reiterated, "What are you doing here?"
The moon showed a face set with the stamp of tragedy which he imagined to have settled on his life, but his eyes held hers gravely and he was no longer hampered with bashfulness. The sight of her tear-stained faced had freed him of that.
"I come here every night," he acknowledged simply, "to watch you over there on the porch--because--" He balked a moment there, but only a moment, before declaring baldly what he had so often failed to announce gallantly--"Because I'm crazy about you--because I love you."
For a moment she gazed up at him and her breath came fast, then she suggested, a little shaken, "It isn't much farther on to the house. You used to come the
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