The Two Guardians

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The Two Guardians

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Title: The Two Guardians
Author: Charlotte Mary Yonge
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THE TWO GUARDIANS
or, HOME IN THIS WORLD
by CHARLOTTE MARY YONGE
THE AUTHOR OF "THE HEIR OF REDCLYFFE," "HENRIETTA'S
WISH," "KENNETH," "HEARTSEASE," "THE CASTLE
BUILDERS," ETC.
1871

[Illustration: "Stay here, Marian! I don't care if all the world heard
me."]

PREFACE.
In putting forth another work, the Author is anxious to say a few words
on the design of these stories; not with a view to obviate criticism, but

in hopes of pointing to the moral, which has been thought not
sufficiently evident, perhaps because it has been desired to convey,
rather than directly inculcate it.
Throughout these tales the plan has been to present a picture of
ordinary life, with its small daily events, its pleasures, and its trials, so
as to draw out its capabilities of being turned to the best account. Great
events, such as befall only a few, are thus excluded, and in the hope of
helping to present a clue, by example, to the perplexities of daily life,
the incidents, which render a story exciting, have been sacrificed, and
the attempt has been to make the interest of the books depend on
character painting.
Each has been written with the wish to illustrate some principle which
may be called the key note. "Abbeychurch" is intended to show the
need of self-control and the evil of conceit in different manifestations;
according to the various characters, "Scenes and Characters" was meant
to exemplify the effects of being guided by mere feeling, set in contrast
with strict adherence to duty. In "Henrietta's Wish" the opposition is
between wilfulness and submission--filial submission as required, in
the young people, and that of which it is a commencement as well as a
type, as instanced in Mrs. Frederick Langford. The design of the
"Castle Builders" is to show the instability and dissatisfaction of mind
occasioned by the want of a practical, obedient course of daily life;
with an especial view to the consequences of not seeking strength and
assistance in the appointed means of grace.
And as the very opposite to Emmeline's feeble character, the heroine of
the present story is intended to set forth the manner in which a
Christian may contend with and conquer this world, living in it but not
of it, and rendering it a means of self-renunciation. It is therefore
purposely that the end presents no great event, and leaves Marian
unrecompensed save by the effects her consistent well doing has
produced on her companions. Any other compensation would render
her self-sacrifice incomplete, and make her no longer invisibly above
the world.
_October 14th_, 1852.

CHAPTER I.
"With fearless pride I say That she is healthful, fleet, and strong And
down the rocks will leap along, Like rivulets in May."
WORDSWORTH.
Along a beautiful Devonshire lane, with banks of rock overhung by tall
bowery hedges, rode a lively and merry pair, now laughing and talking,
now summoning by call or whistle the spaniel that ran by their side, or
careered through the fields within the hedge.
The younger was a maiden of about twelve years old, in a long black
and white plaid riding-skirt, over a pink gingham frock, and her dark
hair hidden beneath a little cap furnished with a long green veil, which
was allowed to stream behind her in the wind, instead of affording the
intended shelter to a complexion already a shade or two darkened by
the summer sun, but with