The Trampling of the Lilies | Page 5

Rafael Sabatini
verbiage I am to take it that you love?"
"Aye, that I love, dear lady," he cried, his eyes so intent upon her that her glance grew timid and fell before them. And then, a second later, she could have screamed aloud in apprehension, for the book of Jean Jacques Rousseau lay tumbled in the grass where he had flung it, even as he flung himself upon his knees before her. "You may take it indeed that I love - that I love you, Mademoiselle."
The audacious words being spoken, his courage oozed away and anti-climax, followed. He paled and trembled, yet he knelt on until she should bid him rise, and furtively he watched her face. He saw it darken; he saw the brows knit; he noted the quickening breath, and in all these signs he read his doom before she uttered it.
"Monsieur, monsieur," she answered him, and sad was her tone, "to what lengths do you urge this springtime folly? Have you forgotten so your station - yes, and mine - that because I talk with you and laugh with you, and am kind to you, you must presume to speak to me in this fashion? What answer shall I make you, Monsieur - for I am not so cruel that I can answer you as you deserve."
An odd thing indeed was La Boulaye's courage. An instant ago he had felt a very coward, and had quivered, appalled by the audacity of his own words. Now that she assailed him thus, and taxed him with that same audacity, the blood of anger rushed to his face - anger of the quality that has its source in shame. In a second he was on his feet before her, towering to the full of his lean height. The words came from him in a hot stream, which for reckless passion by far outvied his erstwhile amatory address.
"My station?" he cried, throwing wide his arms. "What fault lies in my station? I am a secretary, a scholar, and so, by academic right, a gentleman. Nay, Mademoiselle, never laugh; do not mock me yet. In what do you find me less a man than any of the vapid caperers that fill your father's salon? Is not my shape as good? Are not my arms as strong, my hands as deft, my wits as keen, and my soul as true? Aye," he pursued with another wild wave of his long arms, "my attributes have all these virtues, and yet you scorn me - you scorn me because of my station, so you say!"
How she had angered him! All the pent-up gall of years against the supercilia of the class from which she sprang surged in that moment to his lips. He bethought him now of the thousand humiliations his proud spirit had suffered at their hands when he noted the disdain with which they addressed him, speaking to him - because he was compelled to carve his living with a quill - as though he were less than mire. It was not so much against her scorn of him that he voiced his bitter grievance, but against the entire noblesse of France, which denied him the right to carry a high head because he had not been born of Madame la Duchesse, Madame la Marquise, or Madame la Comtesse. All the great thoughts of a wondrous transformation, which had been sown in him by the revolutionary philosophers he had devoured with such appreciation, welled up now, and such scraps of that infinity of thought as could find utterance he cast before the woman who had scorned him for his station. Presumptuous he had accounted himself - but only until she had found him so. By that the presumption, it seemed, had been lifted from him, and he held that what he had said to her of the love he bore her was no more than by virtue of his manhood he had the right to say.
She drew back before him, and shrank in some measure of fear, for he looked very fierce. Moreover, he had said things which professed him a revolutionist, and the revolutionists, whilst being a class which she had been taught to despise and scorn, dealt, she knew, in a violence which it might be ill to excite.
"Monsieur," she faltered, and with her hand she clutched at her riding-habit of green velvet, as if preparing to depart, "you are not yourself. I am beyond measure desolated that you should have so spoken to me. We have been good friends, M. La Boulaye. Let us forget this scene. Shall we?" Her tones grew seductively conciliatory.
La Boulaye half turned from her, and his smouldering eye fell upon "The Discourses" lying on the grass. He stooped and picked up the volume. The act might have
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