The Tides of Barnegat | Page 4

F. Hopkinson Smith
way of the road, when, calling the dog to her side, she stopped to feast her eyes on the picture unrolled at her feet.
To the left of where she stood curved the coast, glistening like a scimitar, and the strip of yellow beach which divided the narrow bay from the open sea; to the right, thrust out into the sheen of silver, lay the spit of sand narrowing the inlet, its edges scalloped with lace foam, its extreme point dominated by the grim tower of Barnegat Light; aloft, high into the blue, soared the gulls, flashing like jewels as they lifted their breasts to the sun, while away and beyond the sails of the fishing-boats, gray or silver in their shifting tacks, crawled over the wrinkled sea.
The glory of the landscape fixed in her mind, Martha gathered her shawl about her shoulders, tightened the strings of her white cap, smoothed out her apron, and with the remark to Meg that he'd "never see nothin' so beautiful nor so restful," resumed her walk.
They were inseparable, these two, and had been ever since the day she had picked him up outside the tavern, half starved and with a sore patch on his back where some kitchen-maid had scalded him. Somehow the poor outcast brought home to her a sad page in her own history, when she herself was homeless and miserable, and no hand was stretched out to her. So she had coddled and fondled him, gaining his confidence day by day and talking to him by the hour of whatever was uppermost in her mind.
Few friendships presented stronger contrasts: She stout and motherly-looking--too stout for any waistline --with kindly blue eyes, smooth gray hair-- gray, not white--her round, rosy face, framed in a cotton cap, aglow with the freshness of the morning --a comforting, coddling-up kind of woman of fifty, with a low, crooning voice, gentle fingers, and soft, restful hollows about her shoulders and bosom for the heads of tired babies; Meg thin, rickety, and sneak- eyed, with a broken tail that hung at an angle, and but one ear (a black-and-tan had ruined the other)-- a sandy-colored, rough-haired, good-for-nothing cur of multifarious lineage, who was either crouching at her feet or in full cry for some hole in a fence or rift in a wood-pile where he could flatten out and sulk in safety.
Martha continued her talk to Meg. While she had been studying the landscape he had taken the opportunity to wallow in whatever came first, and his wet hair was bristling with sand and matted with burrs.
"Come here, Meg--you measly rascal!" she cried, stamping her foot. "Come here, I tell ye!"
The dog crouched close to the ground, waited until Martha was near enough to lay her hand upon him, and then, with a backward spring, darted under a bush in full blossom.
"Look at ye now!" she shouted in a commanding tone. "'Tain't no use o' my washin' ye. Ye're full o' thistles and jest as dirty as when I throwed ye in the water. Come out o' that, I tell ye! Now, Meg, darlin'"--this came in a coaxing tone--"come out like a good dog--sure I'm not goin' in them brambles to hunt ye!"
A clatter of hoofs rang out on the morning air. A two-wheeled gig drawn by a well-groomed sorrel horse and followed by a brown-haired Irish setter was approaching. In it sat a man of thirty, dressed in a long, mouse-colored surtout with a wide cape falling to the shoulders. On his head was a soft gray hat and about his neck a white scarf showing above the lapels of his coat. He had thin, shapely legs, a flat waist, and square shoulders, above which rose a clean-shaven face of singular sweetness and refinement.
At the sound of the wheels the tattered cur poked his head from between the blossoms, twisted his one ear to catch the sound, and with a side-spring bounded up the road toward the setter.
"Well, I declare, if it ain't Dr. John Cavendish and Rex!" Martha exclaimed, raising both hands in welcome as the horse stopped beside her. "Good- mornin' to ye, Doctor John. I thought it was you, but the sun blinded me, and I couldn't see. And ye never saw a better nor a brighter mornin'. These spring days is all blossoms, and they ought to be. Where ye goin', anyway, that ye're in such a hurry? Ain't nobody sick up to Cap'n Holt's, be there?" she added, a shade of anxiety crossing her face.
"No, Martha; it's the dressmaker," answered the doctor, tightening the reins on the restless sorrel as he spoke. The voice was low and kindly and had a ring of sincerity through it.
"What dressmaker?"
"Why, Miss Gossaway!" His hand was extended now--that fine, delicately wrought, sympathetic hand that had
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