duties of a faithful, submissive wife. In fact, although but little sympathy would appear to have existed between the Duke and Duchess of Alen?on, their domestic differences have at least been singularly exaggerated.
During the first five years of her married life Margaret lived in somewhat retired style in her duchy of Alen?on, while her husband took part in various expeditions, and was invested with important functions. In 1513 he fought in Picardy against the English and Imperialists, commanded by Henry VIII., being present at the famous "Battle of Spurs;" and early in 1514 he was appointed Lieutenant-General and Governor of Brittany. Margaret at this period was not only often separated from her husband, but she also saw little of her mother, who had retired to her duchy of Angoul��me. Louise of Savoy, as mother of the heir-presumptive, was the object of the homage of all adroit and politic courtiers, but she had to behave with circumspection on account of the jealousy of the Queen, Anne of Brittany, whose daughters, Claude and Ren��e, were debarred by the Salic Law from inheriting the crown. Louis XII. wished to marry Claude to Francis of Angoul��me, but Anne refusing her consent, it was only after her death, in 1514, that the marriage was solemnised.
It now seemed certain that Francis would in due course ascend the throne; but Louis XII. abruptly contracted a third alliance, marrying Mary of England, the sister of Henry VIII. Louise of Savoy soon deemed it prudent to keep a watch on the conduct of this gay young Queen, and took up her residence at the Court in November 1514. Shortly afterwards Louis XII. died of exhaustion, as many had foreseen, and the hopes of the Duchess of Angoul��me were realised. She knew the full extent of her empire over her son, now Francis I., and felt both able and ready to exercise a like authority over the affairs of his kingdom.
The accession of Francis gave a more important position to Margaret and her husband. The latter was already one of the leading personages of the state, and new favours increased his power. He did not address the King as "Your Majesty," says Odolant Desnos, but styled him "Monseigneur" or "My Lord," and all the acts which he issued respecting his duchy of Alen?on began with the preamble, "Charles, by the grace of God." Francis had scarcely become King than he turned his eyes upon Italy, and appointing his mother as Regent, he set out with a large army, a portion of which was commanded by the Duke of Alen?on. At the battle of Marignano the troops of the latter formed the rearguard, and, on perceiving that the Swiss were preparing to surround the bulk of the French army, Charles marched against them, overthrew them, and by his skilful manouvres decided the issue of the second day's fight. (1) The conquest of the duchy of Milan was the result of this victory, and peace supervening, the Duke of Alen?on returned to France.
1 Odolant Desnos's M��moires historiques sur Alen?on, vol. ii. p. 238.
It was at this period that Margaret began to keep a Court, which, according to Odolant Desnos, rivalled that of her brother. We know that in 1517 she and her husband entertained the King with a series of magnificent f��tes at their Chateau of Alen?on, which then combined both a palace and a fortress. But little of the chateau now remains, as, after the damage done to it during the religious wars between 1561 and 1572, it was partially demolished by Henry IV. when he and Biron captured it in 1590. Still the lofty keep built by Henry I. of England subsisted intact till in 1715 it was damaged by fire, and finally in 1787 razed to the ground.
The old pile was yet in all its splendour in 1517, when Francis I. was entertained there with jousts and tournaments. At these gay gatherings Margaret appeared apparelled in keeping with her brother's love of display; for, like all princesses, she clothed herself on important occasions in sumptuous garments. But in every-day life she was very simple, despising the vulgar plan of impressing the crowd by magnificence and splendour. In a portrait executed about this period, her dark-coloured dress is surmounted by a wimple with a double collar and her head covered with a cap in the Bearnese style. This portrait (1) tends, like those of a later date, to the belief that Margaret's beauty, so celebrated by the poets of her time, consisted mainly in the nobility of her bearing and the sweetness and liveliness spread over her features. Her eyes, nose, and mouth were very large, but although she had been violently attacked with small-pox while still young, she had been spared the traces which this cruel illness so often
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