The Street That Wasnt There | Page 6

Clifford Donald Simak
cardboard soldiers lining up for review on a misty morning.
Once he stopped and looked back and saw that the grayness had closed in behind him. The houses were wiped out, the sidewalk faded into nothing.
He shouted, hoping to attract attention. But his voice frightened him. It seemed to ricochet up and into the higher levels of the sky, as if a giant door had been opened to a mighty room high above him.
He went on until he came to the corner of Lexington. There, on the curb, he stopped and stared. The gray wall was thicker there but he did not realize how close it was until he glanced down at his feet and saw there was nothing, nothing at all beyond the curbstone. No dull gleam of wet asphalt, no sign of a street. It was as if all eternity ended here at the corner of Maple and Lexington.
With a wild cry, Mr. Chambers turned and ran. Back down the street he raced, coat streaming after him in the wind, bowler hat bouncing on his head.
Panting, he reached the gate and stumbled up the walk, thankful that it still was there.
On the stoop he stood for a moment, breathing hard. He glanced back over his shoulder and a queer feeling of inner numbness seemed to well over him. At that moment the gray nothingness appeared to thin ... the enveloping curtain fell away, and he saw....
Vague and indistinct, yet cast in stereoscopic outline, a gigantic city was lined against the darkling sky. It was a city fantastic with cubed domes, spires, and aerial bridges and flying buttresses. Tunnel-like streets, flanked on either side by shining metallic ramps and runways, stretched endlessly to the vanishing point. Great shafts of multicolored light probed huge streamers and ellipses above the higher levels.
And beyond, like a final backdrop, rose a titanic wall. It was from that wall ... from its crenelated parapets and battlements that Mr. Chambers felt the eyes peering at him.
Thousands of eyes glaring down with but a single purpose.
And as he continued to look, something else seemed to take form above that wall. A design this time, that swirled and writhed in the ribbons of radiance and rapidly coalesced into strange geometric features, without definite line or detail. A colossal face, a face of indescribable power and evil, it was, staring down with malevolent composure.
* * * * *
Then the city and the face slid out of focus; the vision faded like a darkened magic-lantern, and the grayness moved in again.
Mr. Chambers pushed open the door of his house. But he did not lock it. There was no need of locks ... not any more.
A few coals of fire still smouldered in the grate and going there, he stirred them up, raked away the ash, piled on more wood. The flames leaped merrily, dancing in the chimney's throat.
Without removing his hat and coat, he sank exhausted in his favorite chair, closed his eyes then opened them again.
He sighed with relief as he saw the room was unchanged. Everything in its accustomed place: the clock, the lamp, the elephant ash tray, the marine print on the wall.
Everything was as it should be. The clock measured the silence with its measured ticking; it chimed abruptly and the vase sent up its usual sympathetic vibration.
This was his room, he thought. Rooms acquire the personality of the person who lives in them, become a part of him. This was his world, his own private world, and as such it would be the last to go.
But how long could he ... his brain ... maintain its existence?
Mr. Chambers stared at the marine print and for a moment a little breath of reassurance returned to him. They couldn't take this away. The rest of the world might dissolve because there was insufficient power of thought to retain its outward form.
But this room was his. He alone had furnished it. He alone, since he had first planned the house's building, had lived here.
This room would stay. It must stay on ... it must....
He rose from his chair and walked across the room to the book case, stood staring at the second shelf with its single volume. His eyes shifted to the top shelf and swift terror gripped him.
For all the books weren't there. A lot of books weren't there! Only the most beloved, the most familiar ones.
So the change already had started here! The unfamiliar books were gone and that fitted in the pattern ... for it would be the least familiar things that would go first.
Wheeling, he stared across the room. Was it his imagination, or did the lamp on the table blur and begin to fade away?
But as he stared at it, it became clear again, a solid, substantial thing.
For a moment real fear reached
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