The Spinners Book of Fiction | Page 4

portent of the death and burial of one whom they loyally believed to be no less entitled to beatification than Catherine herself. Her miracles may not have been of the irreducible protoplastic order, but they had been miracles to the practical Californian mind, notwithstanding, and worthy of the attention of consistory and Pope. Moreover, this was the season when all the vivacity and gaiety of her youth had revived, and she made merry, not only for the children left at the convent by their nomadic parents, but for all the children of the town, whatever the faith of their somewhat anxious elders.
An hour after sundown they carried the bier on which her coffin rested into the chapel. It was a solemn procession that none, taking part, was likely to forget, and stirred the young hearts at least with an ecstatic desire for a life as saintly as this that hardly had needed the crown of death.
Following the bier was the cross-bearer, holding the emblem so high it was half lost in the shadows. Behind her were the young scholars dressed in black, then the novices in their white robes and veils, carrying lighted tapers to symbolize the eternal radiance that awaited the pure in spirit. The nuns finished the procession that wound its way slowly through the long ill-lighted corridors, chanting the litany of the dead. From the chapel, at first almost inaudible, but waxing louder every moment, came the same solemn monotonous chant; for the Bishop and his assistants were already at the altar....
Teresa, from the organ loft, looked eagerly down upon the beautiful scene, in spite of the exaltation that filled her: her artistic sense was the one individuality she possessed. The chapel was aglow with the soft radiance of many wax candles. They stood in high candelabra against the somber drapery on the walls, and there were at least a hundred about the coffin on its high catafalque before the altar; the Argüellos were as prodigal as of old. About the catafalque was an immense mound of roses from the garden of the convent, and palms and pampas from the ranch of Santiago Argüello in the south. The black-robed scholars knelt on one side of the dead, the novices on the other, the relatives and friends behind. But art had perfected itself in the gallery above the lower end of the chapel. This also was draped with black which seemed to absorb, then shed forth again the mystic brilliance of the candles; and kneeling, well apart, were the nuns in their ivory white robes and black veils, their banded softened features as composed and peaceful as if their own reward had come.
The Bishop and the priests read the Requiem Mass, the little organ pealed the De Profundis as if inspired; and when the imperious triumphant music of Handel followed, Teresa's fresh young soprano seemed, to her excited imagination, to soar to the gates of heaven itself. When she looked down again the lights were dim in the incense, her senses swam in the pungent odor of spices and gum. The Bishop was walking about the catafalque casting holy water with a brush against the coffin above. He walked about a second time swinging the heavy copper censer, then pronounced the Requiescat in pace, "dismissing," as we find inscribed in the convent records, "a tired soul out of all the storms of life into the divine tranquillity of death."
The bier was again shouldered, the procession reformed, and marched, still with lighted tapers and chanting softly, out into the cemetery of the convent. It was a magnificent, clear night and as mild as spring. Below the steep hill the little town of Benicia celebrated the eve of Christmas with lights and noise. Beyond, the water sparkled like running silver under the wide beams of the moon poised just above the peak of Monte Diablo, the old volcano that towered high above this romantic and beautiful country of water and tule lands, steep hillsides and canons, rocky bluffs overhanging the straits. In spite of the faint discords that rose from the town and the slow tolling of the convent bell, it was a scene of lofty and primeval grandeur, a fit setting for the last earthly scene of a woman whose lines had been cast in the wilderness, but yet had found the calm and the strength and the peace of the old mountain, with its dead and buried fires.
The grave closed, the mourners returned to the convent, but not in order. At the door Teresa felt her arm taken possession of by a strong hand with which she had had more than one disconcerting encounter.
"Let us walk," said Sister María Sal in her harsh but strong old voice. "I have permission. I must talk of Concha tonight or I