The Slayer of Souls | Page 8

theatre; so he stood in the rear behind the orchestra until the descending curtain extinguished the outrageous glare and din.
Then he went down the aisle, and as he seated himself Tressa Norne stepped from the wings and stood before the lowered curtain facing an expectant but oddly undemonstrative audience.
The girl worked rapidly, seriously, and in silence. She seemed a mere child there behind the footlights, not more than sixteen anyway--her winsome eyes and wistful lips unspoiled by the world's wisdom.
Yet once or twice the mouth drooped for a second and the winning eyes darkened to a remoter blue--the brooding iris hue of far horizons.
She wore the characteristic tabard of stiff golden tissue and the gold pagoda-shaped headpiece of a Yezidee temple girl. Her flat, slipper-shaped footgear was of stiff gold, too, and curled upward at the toes.
All this accentuated her apparent youth. For in face and throat no firmer contours had as yet modified the soft fullness of immaturity; her limbs were boyish and frail, and her bosom more undecided still, so that the embroidered breadth of gold fell flat and straight from her chest to a few inches above the ankles.
She seemed to have no stock of paraphernalia with which to aid the performance; no assistant, no orchestral diversion, nor did she serve herself with any magician's patter. She did her work close to the footlights.
Behind her loomed a black curtain; the strip of stage in front was bare even of carpet; the orchestra remained mute.
But when she needed anything--a little table, for example--well, it was suddenly there where she required it--a tripod, for instance, evidently fitted to hold the big iridescent bubble of glass in which swarmed little tropical fishes--and which arrived neatly from nowhere. She merely placed her hands before her as though ready to support something weighty which she expected and--suddenly, the huge crystal bubble was visible, resting between her hands. And when she tired of holding it, she set it upon the empty air and let go of it; and instead of crashing to the stage with its finny rainbow swarm of swimmers, out of thin air appeared a tripod to support it.
Applause followed, not very enthusiastic, for the sort of audience which sustains the shows of which her performance was merely an entr'acte is an audience responsive only to the obvious.
Nobody ever before had seen that sort of magic in America. People scarcely knew whether or not they quite liked it. The lightning of innovation stupefies the dull; ignorance is always suspicious of innovation--always afraid to put itself on record until its mind is made up by somebody else.
So in this typical New York audience approbation was cautious, but every fascinated eye remained focused on this young girl who continued to do incredible things, which seemed to resemble "putting something over" on them; a thing which no uneducated American conglomeration ever quite forgives.
The girl's silence, too, perplexed them; they were accustomed to gabble, to noise, to jazz, vocal and instrumental, to that incessant metropolitan clamour which fills ever second with sound in a city whose only distinction is its din. Stage, press, art, letters, social existence unless noisy mean nothing in Gotham; reticence, leisure, repose are the three lost arts. The megaphone is the city's symbol; its chiefest crime, silence.
The girl having finished with the big glass bubble full of tiny fish, picked it up and tossed it aside. For a moment it apparently floated there in space like a soap-bubble. Changing rainbow tints waxed and waned on the surface, growing deeper and more gorgeous until the floating globe glowed scarlet, then suddenly burst into flame and vanished. And only a strange, sweet perfume lingered in the air.
But she gave her perplexed audience no time to wonder; she had seated herself on the stage and was already swiftly busy unfolding a white veil with which she presently covered herself, draping it over her like a tent.
The veil seemed to be translucent; she was apparently visible seated beneath it. But the veil turned into smoke, rising into the air in a thin white cloud; and there, where she had been seated, was a statue of white stone the image of herself!--in all the frail springtide of early adolescence--a white statue, cold, opaque, exquisite in its sculptured immobility.
There came, the next moment, a sound of distant thunder; flashes lighted the blank curtain; and suddenly a vein of lightning and a sharper peal shattered the statue to fragments.
There they lay, broken bits of her own sculptured body, glistening in a heap behind the footlights. Then each fragment began to shimmer with a rosy internal light of its own, until the pile of broken marble glowed like living coals under thickening and reddening vapours. And, presently, dimly perceptible, there she was in the flesh again, seated in the