will be a door when it becomes cold enough for such a luxury.
Describing the service, the Doctor says, in part,--
After a long and wandering impromptu prayer by somebody, a prayer which "Shirley" found disagreeable (since she herself was a churchwoman, and missed the burial service), the procession, containing twenty men and three women, set out.
Shirley was not, at that time, a churchwoman, and her account of the prayer, etc., is,--
About twenty men, with the three women of the place, had assembled at the funeral. An extempore prayer was made, filled with all the peculiarities usual to that style of petition. Ah, how different from the soothing verses of the glorious burial service of the church!
It may not be inappropriate here to note that the baby referred to in the two immediately preceding pages is none other than the original of The Luck in Bret Harte's Luck of Roaring Camp. How the funeral scene as described by Shirley was adapted by this master of short-story writing, and how skillfully he combined it with the birth of The Luck, may be perceived in the two paragraphs following.
[Shirley, post, p. 70.] On a board, supported by two butter-tubs, was extended the body of the dead woman, covered with a sheet. By its side stood the coffin, of unstained pine, lined with white cambric.
[The Luck of Roaring Camp, Overland, vol. i, p. 184.] Beside the low bunk or shelf, on which the figure of the mother was starkly outlined below the blankets, stood a pine table. On this a candle-box was placed, and within it, swathed in staring red flannel, lay the last arrival at Roaring Camp.
Bancroft (History of California, vol. vii, p. 724), speaking of early California literature, says,--
Mining life in California furnished inexhaustible material;... and almost every book produced in the golden era gave specimens more or less entertaining of the wit and humor developed by the struggle with homelessness, physical suffering, and mental gloom. And when, perchance, a writer had never heard original tales of the kind he felt himself expected to relate, he took them at second-hand.... Even the most powerful of Bret Harte's stories borrowed their incidents from the letters of Mrs. Laura A. K. Clapp, who under the nom de plume of 'Shirley,' wrote a series of letters published in the Pioneer Magazine, 1851-2. The 'Luck of Roaring Camp' was suggested by incidents related in Letter II., p. 174-6 of vol. i. of the Pioneer. In Letter XIX., p. 103-10 of vol. iv., is the suggestion of the 'Outcasts of Poker Flat.' Mrs. Clapp's simple epistolary style narrates the facts, and Harte's exquisite style imparts to them the glamour of imagination.
The temptation cannot be resisted, at this point, to pursue the history of The Luck of Roaring Camp a little further. The reader will kindly remember that no changes are made in printing extracts. Mr. T. Edgar Pemberton, in his Bret Harte: A Treatise and a Tribute (London, 1900), says, in referring to criticism of the story when it was first in type,--
Mr. Noah Brooks has recorded this strange incident as follows:--
'Perhaps I may be pardoned,' he says, 'for a brief reference to an odd complication that arose while The Luck of Roaring Camp was being put into type in the printing office where The Overland Monthly was prepared for publication. A young lady who served as proof-reader in the establishment had been somewhat shocked by the scant morals of the mother of Luck, and when she came to the scene where Kentuck, after reverently fondling the infant, said, "he wrastled with my finger, the d----d little cuss," the indignant proof-reader was ready to throw up her engagement rather than go any further with a story so wicked and immoral. There was consternation throughout the establishment, and the head of the concern went to the office of the publisher with the virginal proof-reader's protest. Unluckily, Mr. Roman was absent from the city. Harte, when notified of the obstacle raised in the way of The Luck of Roaring Camp, manfully insisted that the story must be printed as he wrote it, or not at all. Mr. Roman's locum tenens in despair brought the objectionable manuscript around to my office and asked my advice. When I had read the sentence that had caused all this turmoil, having first listened to the tale of the much-bothered temporary publisher, I surprised him by a burst of laughter. It seemed to me incredible that such a tempest in a tea-cup could have been raised by Harte's bit of character sketching. But, recovering my gravity, I advised that the whole question should await Mr. Roman's return. I was sure that he would never consent to any "editing" of Harte's story. This was agreed to, and when the publisher came back, a few days later,
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