The Shagganappi

E. Pauline Johnson

The Shagganappi, by E. Pauline Johnson

The Project Gutenberg EBook of The Shagganappi, by E. Pauline Johnson (#3 in our series by E. Pauline Johnson)
Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: The Shagganappi
Author: E. Pauline Johnson
Release Date: May, 2004 [EBook #5769] [Yes, we are more than one year ahead of schedule] [This file was first posted on September 1, 2002]
Edition: 10
Language: English
Character set encoding: ASCII
*** START OF THE PROJECT GUTENBERG EBOOK, THE SHAGGANAPPI ***

This eBook was produced by Andrew Sly.

The Shagganappi
By E. Pauline Johnson
With Introduction by Ernest Thompson Seton
Dedicated to the Boy Scouts

TEKAHIONWAKE
(PAULINE JOHNSON)
How well I remember my first meeting with Tekahionwake, the Indian girl! I see her yet as she stood in all ways the ideal type of her race, lithe and active, with clean-cut aquiline features, olive-red complexion and long dark hair; but developed by her white-man training so that the shy Indian girl had given place to the alert, resourceful world-woman, at home equally in the salons of the rich and learned or in the stern of the birch canoe, where, with paddle poised, she was in absolute and fearless control, watching, warring and winning against the grim rocks that grinned out of the white rapids to tear the frail craft and mangle its daring rider.
We met at the private view of one of my own pictures. It was a wolf scene, and Tekahionwake, quickly sensing the painter's sympathy with the Wolf, claimed him as a Medicine Brother, for she herself was of the Wolf Clan of the Mohawks. The little silver token she gave me then is not to be gauged or appraised by any craftsman method known to trade.
From that day, twenty odd years ago, our friendship continued to the end, and it is the last sad privilege of brotherhood to write this brief comment on her personality. I do it with a special insight, for I am charged with a message from Tekahionwake herself. "Never let anyone call me a white woman," she said. "There are those who think they pay me a compliment in saying that I am just like a white woman. My aim, my joy, my pride is to sing the glories of my own people. Ours was the race that gave the world its measure of heroism, its standard of physical prowess. Ours was the race that taught the world that avarice veiled by any name is crime. Ours were the people of the blue air and the green woods, and ours the faith that taught men to live without greed and to die without fear. Ours were the fighting men that, man to man--yes, one to three--could meet and win against the world. But for our few numbers, our simple faith that others were as true as we to keep their honor bright and hold as bond inviolable their plighted word, we should have owned America to-day."
If the spirit of Wetamoo, the beautiful woman Sachem, the Boadicea of New England, ever came back, it must have been in Tekahionwake the Mohawk. The fortitude and the eloquence of the Narragansett Chieftainess were born again in the Iroquois maiden; she typified the spirit of her people that flung itself against the advancing tide of white encroachment even as a falcon might fling himself against a horde of crows whose strength was their numbers and whose numbers were without end, so all his wondrous effort was made vain.
"The Riders of the Plains," the "Legends of Vancouver," "Flint and Feather," and the present volume, "Shagganappi," all tell of the spirit that tells them. Love of the blessed life of blue air without gold-lust is felt in the line and the interline, with joy in the beauty of beaver stream, tamarac swamp, shad-bush and drifting cloud, and faith in the creed of her fathers, that saw the Great Spirit in all things and that reverenced Him at all times, and over and above it all the sad note that tells of a proud race, conscious that it has been crushed by numbers, that its
Continue reading on your phone by scaning this QR Code

 / 101
Tip: The current page has been bookmarked automatically. If you wish to continue reading later, just open the Dertz Homepage, and click on the 'continue reading' link at the bottom of the page.