The Shadow of the Sword | Page 5

Robert Buchanan
lines.
But all he sees for the moment is the one dark face, and the bright eyes that look lovingly into his.
"Why will you be so daring, Rohan?" she inquires in a soft Breton patois. "If the rope should break, if the knot should slip, if you should grow faint! Gildas and Ho?l both say you are foolish. St. Gurlan's Craig is not fit for a man to climb!"
Chapter 2
ROHAN AND MARCELLE
To creep where foot of man has never crept before, to crawl on the great cliffs where even the goats and sheep are seldom seen, to know the secret places as they are known to the hawk and the raven and the black buzzard of the crags, this is the joy and glory of the man's life--this is the rapture that he shares with the winged, the swimming, and the creeping things. He swims like a fish, he crawls like a fly, and his joy would be complete if he could soar like a bird! His animal enjoyment, meantime, is perfect. Not the peregrine, wheeling in still circles round the topmost crags, moves with more natural splendour on its way.
All the peasants and fishers of Kromlaix are cragsmen too, but none possess his cool sublimity of daring. Rohan Gwenfern will walk almost erect where no other fowler, however experienced, would creep on hands and knees. In the course of his lifelong perils he has had ugly falls, which have only stimulated him to fresh exploits.
He began, when a mere child, by herding sheep and goats among these very crags, and making the lonely caverns ring with his little goatherd's horn. By degrees he familiarized himself with every feature of the storm-rent terrible coast; so that even when he grew up towards manhood, and joined his fellows in fishing expeditions far out at sea, he still retained his early passion for the crags and cliffs. While others were lounging on the beach or at the door of the calozes, while these were drinking in the cabaret and those were idling among their nets, Rohan was walking in some vast cathedral not made with hands, or penetrating like a spectre, torch in hand, into the pitch-black cavern where the seal was suckling her young, or swimming naked out to the cormorant's roost on the base of the Needle of Gurlan.
Even in wildest winter, when for days together the cormorants sat on the ledges of the cliffs and gazed despairingly at the sea, starving, afraid to stir a feather lest the mighty winds should dash them to pieces against the stones; when the mountains of foam shook the rocks to their foundation; when the earthquakes of ocean were busy, and crag after crag loosened, crumbled, and swept like an avalanche down to the sea,--even in the maddest storms of nature's maddest season, Rohan was abroad,--not the great herring-gull being more constant a mover along the black water-mark than he.
Hence there had arisen in him, day by day and year by year, that terrible and stolid love for Water which wise critics and dwellers in towns believe to be the special and sole prerogative of the poets, particularly of Lord Byron, and which, when described as an attribute of a Breton peasant or a Connaught "boy," they refer to the abysses of sentimentality. Does a street-girl love the street, or a ploughman love the fields, or a sailor love the ship that sails him up and down the world? Even so, but with an infinitely deeper passion, did Rohan love the sea. It is no exaggeration to say that even a few miles inland he would have been heartily miserable. And that he should love the sea as he did, not with a sentimental emotion, not with any idea of romancing or attitudinizing, but with a vital and natural love, part of the very beatings of his heart, was only just. He was its foster-child.
Weird and thrilling superstitions are still afloat on this wild coast; grotesque and awful legend; many of them full of deep faith and pathetic beauty, still pass from mouth to mouth; but among them there is one which is something more than a mere legend, something more than a fireside dream. It tells of the sore straits and perils on the lonely seas during "the great fishing," and how, one summer night, a fisher, Raoul Gwenfern, took with him to sea his little golden-haired child. That very night, blowing the trumpets of wrath and death, Euroclydon arose. Lost, shrieking, terror-stricken, the fleet of boats drifted before the wind in the terrible mountainous sea; and at last, when all hope had fled, the crew of this one lugger knelt down together in the darkness for the last time--knelt as they had often done side by side in the little chapel on
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