and turned down a side road where there were no houses. For a couple of miles the men raced along a level track cut on the side of a hill that rose steeply on the one hand and on the other fell away precipitously down to the sea until they halted with a sudden jerk beside a wooden gateway with a creeper-covered roof on either side of which two matsu trees stood like tall sentinels.
Waiting by the open gate was a short, powerful looking Japanese dressed in European clothes. He came forward as Craven alighted and gathering up the coat and hat from the floor of the rickshaw, dismissed the Japanese who vanished further along the road into the shadows. Then he turned and waited for his master to precede him through the gateway, but Craven signed to him to go on, and as the man disappeared up the garden path he crossed the road and standing on the edge of the cliff looked down across the harbour. The American yacht was the biggest craft of her kind in the roads and easily discernible in the moonlight. The brilliant deck illumination had been shut off and only a few lights showed. He gave a quick sigh. Atherton's coming had been like a bar drawn suddenly across the stream down which he was drifting. If Jermyn had only come last year! The envy he had felt earlier in the evening increased. He thought of the look he had seen in Atherton's eyes and the intonation of his voice when the American spoke of the wife to whom he was returning. What did love like that mean to a man? What factor in Atherton's strenuous and adventurous life had affected him as this had done? What were the ethics of a love that rose purely above physical attraction--environment--temperament; a love that grew and strengthened and absorbed until it ceased to be a part of life and became life itself--the main issue, the fundamental essence?
And as Craven watched he saw the yacht steam slowly down the bay. He drew a deep breath.
"You lucky, lucky devil," he whispered again and swung on his heel. He paused for a moment just within the gateway where on the only level part of the garden lay a miniature lake, hedged round with bamboo, clumps of oleander, fed by a little twisting stream that came tumbling and splashing down the hillside in a series of tiny waterfalls, its banks fringed with azalea bushes and slender cherry trees. Then he walked slowly along the path that led upward, winding to and fro through clusters of pines and cedars and over mossy slopes to the little house which stood in a clearing at the top of the garden surrounded by fir trees and backed by a high creeper-clad palisade.
From the wide verandah, built out on piles over the terrace, there was an uninterrupted view of the harbour. He climbed the four wooden stairs and on the top step turned and looked again down on to the bay. The yacht was now invisible, but in his mind he followed her slipping down toward the open sea. And Atherton--what were his thoughts while pacing the broad deck or lying in his cabin listening to the screw whose every revolution was taking him nearer the centre of his earthly happiness? Were they anything like his own, he wondered, as he stood there bareheaded in the moonlight, looking strangely big and incongruous on the balcony of the little fairylike doll's house?
He shrugged impatiently. The comparison was an insult, he thought bitterly. Again he stared out to sea, straining his eyes; trying vainly to pick up the yacht's lights far down the bay. It was very still, a tiny breeze whispered in the pines and drifted across his face the sweet perfume of a flowering shrub. A cicada chirped in the grass at his feet.
Then behind him came a faint rustle of silk. He heard the soft sibilant sound of a breath drawn quickly in.
"Will my lord honourably be pleased to enter?" the voice was very low and sweet and the English very slow and careful.
Craven did not move.
"Try again, O Hara San."
A low bubble of girlish laughter rippled out.
"Please to come in, Bar-ree."
He turned slowly, looking bigger than ever by contrast with the slender little Japanese girl who faced him. She was barely seventeen, dainty and fragile as a porcelain figure, wholly in keeping with her exquisite setting and yet the flush on her cheeks--free from the thick disfiguring white paste used by the women of her country--and the vivid animation of her face were oddly occidental, and the eyes raised so eagerly to Craven's were as grey as his own.
He held out his arms and she fluttered into them with a little breathless
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