Quigg also rose. "I'll go with you," she said, decidedly. I was willing to quit, too, but Mrs. Harris and Miss Brush pleaded with me to continue.
"Close up the circle, then. Probably Harris was the hoodoo. Things will happen now," I said, briskly, though still without any faith in the experiment.
Hardly had Harris left the table when a shudder passed over Mrs. Harris, her head lifted, and her eyes closed.
"What's the matter, Dolly?" whispered Mrs. Cameron. "Do you feel faint?"
"Don't be alarmed! Mrs. Harris is only passing into a sleep. Not a word, Harris!" I said, warningly. "Please move farther away."
In the dusky light the faces of all the women looked suddenly blanched and strange as the entranced woman seized upon the table with her hands, shaking it hard from side to side. The table seemed to wake to diabolic energy under her palms. This was an unexpected development, and I was almost as much surprised as the others were.
"Sing again," I commanded, softly.
As they sang, Mrs. Harris withdrew her hands from the table and sat rigidly erect, yet with a peaceful look upon her face. "She does it well," I thought. "I didn't think it in the quiet little lady." At length one hand lifted and dropped limply upon the table. "It wants to write," said I. "Where is the pad? I have a pencil."
As I put a pencil under the hand, it was seized in a very singular way, and almost instantly Mrs. Cameron gasped, "That's very strange!"
"Hush!" said I. "Wait!"
Holding the pencil clumsily as a crippled person might do, the hand crept over the paper, and at last, after writing several lines, stopped and lay laxly open. I passed the pad to Brierly. "Read it aloud," I said.
He took it to the light and read:
"Sara, be not sceptical. Believe and you will be happier. Life is only the minutest segment of the great circle. MARTIN."
"My father!" exclaimed Mrs. Cameron. "Let me see the writing." Brierly handed the pad to her. She stared upon it in awe and wonder. "It is his exact signature--and Dolly held the pen just as he did--he was paralyzed toward the last--and could only write by holding his pen that way."
"Look! it's moving again," I exclaimed.
The hand caught up the pencil, and, holding it between the thumb and forefinger in a peculiar way, began moving it in the air. Brierly, who sat opposite, translated these movements. "She is drawing, free-hand, in the air. She is sketching the outline of a boat. See how she measures and plumbs her lines! Are you addressing me?" he asked of Mrs. Harris.
The sleeper nodded.
"Can't you write?" I asked. "Can't you speak?"
A low gurgle in the throat was the only answer at the moment, but after a few trials a husky whisper began to be heard. "I will try," she said, and suddenly began to chuckle, rolling upon one hip and throwing one foot over the other like a man taking an easy attitude. She now held the pencil as if it were a cigarette, laughing again with such generous tone that the other women recoiled. Then she spoke, huskily. "You know--San Remo--Sands," came brokenly from her lips.
"Sands?" queried the painter; "who is Sands?"
"Sands--San Remo--boats."
The painter was puzzled. "I don't remember any Sands at San Remo. It must be some student I knew in Paris. Is that what you mean?"
Mrs. Harris violently nodded. As abruptly as it came, this action left her, and then slowly, imperceptibly, her expression changed, a look of ineffable maternal sweetness came into her face; she seemed to cradle a tiny babe upon her arm. At last she sighed, "Oh, the pity of it, the pity of it!"
For a minute we sat in silence, so compelling were her gestures and her tone. At last I asked, "Has any one here lost a little child?"
Mrs. Cameron spoke, hesitatingly, "Yes--I lost a little baby--years ago."
"She is addressing you--perhaps."
Mrs. Harris did not respond to this suggestion, but changed into an impersonation of a rollicking girl of rather common fibre. "Hello, Sally!" she cried out, and Mrs. Cameron stared at her in blank dismay as she asked, "Are you talking to me?"
"You bet I am, you old bag o' wool. Remember Geny? Remember the night on the door-step? Ooo! but it was cold! You were to blame."
"What is she talking about?" I asked, seeing that Mrs. Cameron was reluctant to answer this challenge.
"She seems to be impersonating an old class-mate of mine at college--"
"That's what!" broke in the voice.
Mrs. Cameron went on, "Her name was Eugenia Hull--"
"Is yet," laughed the voice. "Same old sport. Couldn't find any man good enough. You didn't like me, but no matter; I want to tell you that you're in danger of fire. Don't play with fire. Be careful of fire--"
Again a calm
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