The Secret of the Night | Page 8

very complex. And it would have been difficult to say whether the calm which pervaded every manifestation of her beauty was the result of conscious control or the most perfect ease.
She took down the guzla and handed it to Boris, who struck some plaintive preliminary chords.
"What shall I sing?" she inquired, raising her father's hand from the back of the sofa where he rested and kissing it with filial tenderness.
"Improvise," said the general. "Improvise in French, for the sake of our guest."
"Oh, yes," cried Boris; "improvise as you did the other evening."
He immediately struck a minor chord.
Natacha looked fondly at her father as she sang:
"When the moment comes that parts us at the close of day, when the Angel of Sleep covers you with azure wings; "Oh, may your eyes rest from so many tears, and your oppressed heart have calm; "In each moment that we have together, Father dear, let our souls feel harmony sweet and mystical; "And when your thoughts may have flown to other worlds, oh, may my image, at least, nestle within your sleeping eyes."
Natacha's voice was sweet, and the charm of it subtly pervasive. The words as she uttered them seemed to have all the quality of a prayer and there were tears in all eyes, excepting those of Michael Korsakoff, the second orderly, whom Rouletabille appraised as a man with a rough heart not much open to sentiment.
"Feodor Feodorovitch," said this officer, when the young girl's voice had faded away into the blending with the last note of the guzla, "Feodor Feodorovitch is a man and a glorious soldier who is able to sleep in peace, because he has labored for his country and for his Czar."
"Yes, yes. Labored well! A glorious soldier!" repeated Athanase Georgevitch and Ivan Petrovitch. "Well may he sleep peacefully."
"Natacha sang like an angel," said Boris, the first orderly, in a tremulous voice.
"Like an angel, Boris Nikolaievitch. But why did she speak of his heart oppressed? I don't see that General Trebassof has a heart oppressed, for my part." Michael Korsakoff spoke roughly as he drained his glass.
"No, that's so, isn't it?" agreed the others.
"A young girl may wish her father a pleasant sleep, surely!" said Matrena Petrovna, with a certain good sense. "Natacha has affected us all, has she not, Feodor?"
"Yes, she made me weep," declared the general. "But let us have champagne to cheer us up. Our young friend here will think we are chicken-hearted."
"Never think that," said Rouletabille. "Mademoiselle has touched me deeply as well. She is an artist, really a great artist. And a poet."
"He is from Paris; he knows," said the others.
And all drank.
Then they talked about music, with great display of knowledge concerning things operatic. First one, then another went to the piano and ran through some motif that the rest hummed a little first, then shouted in a rousing chorus. Then they drank more, amid a perfect fracas of talk and laughter. Ivan Petrovitch and Athanase Georgevitch walked across and kissed the general. Rouletabille saw all around him great children who amused themselves with unbelievable naivete and who drank in a fashion more unbelievable still. Matrena Petrovna smoked cigarettes of yellow tobacco incessantly, rising almost continually to make a hurried round of the rooms, and after having prompted the servants to greater watchfulness, sat and looked long at Rouletabille, who did not stir, but caught every word, every gesture of each one there. Finally, sighing, she sat down by Feodor and asked how his leg felt. Michael and Natacha, in a corner, were deep in conversation, and Boris watched them with obvious impatience, still strumming the guzla. But the thing that struck Rouletabille's youthful imagination beyond all else was the mild face of the general. He had not imagined the terrible Trebassof with so paternal and sympathetic an expression. The Paris papers had printed redoubtable pictures of him, more or less authentic, but the arts of photography and engraving had cut vigorous, rough features of an official - who knew no pity. Such pictures were in perfect accord with the idea one naturally had of the dominating figure of the government at Moscow, the man who, during eight days - the Red Week - had made so many corpses of students and workmen that the halls of the University and the factories had opened their doors since in vain. The dead would have had to arise for those places to be peopled! Days of terrible battle where in one quarter or another of the city there was naught but massacre or burnings, until Matrena Petrovna and her step-daughter, Natacha (all the papers told of it), had fallen on their knees before the general and begged terms for the last of the revolutionaries, at bay in the Presnia quarter, and had been refused by