The Secret Memoirs of the Courts of Europe, Volume I. | Page 4

Mme. la Marquise de Fontenoy
very familiarly, leaped over the saddle in his anxiety to secure for himself a firm seat on the throne of his forefathers.
It is well to mention also that Emperor Frederick III., who reigned alas! but for a few weeks, was positively worshipped by the German people, and not without cause, for he was undoubtedly one of the finest personalities of this century. His appearance, his demeanor, his unaffected dignity, kindness of heart, and loftiness of purpose were difficult to surpass, and it was a bitter disappointment to his subjects when death snatched him away before he had had time to carry out the grand plans and ideas which he had long cherished and reserved for the time when he would have the reins of government in his own hands.
Speaking with all kindness and good-will, one cannot but after a fashion understand the disappointment of the Germans when this towering military figure, this magnificent specimen of perfect physical and mental manhood, vanished from their ken, to be replaced by the slender, pale-faced, somewhat arrogant and despotic young man, who resembled this father so little.
Emperor William II. is an extremely intelligent personage, in spite of all that may have been said to the contrary. He thinks for himself when he has a mind to do so, and, what is more, thinks logically, and is quite capable of following a thus logically-attained conclusion to its furthermost point. He feels keenly his enormous responsibilities, and the tremendous international importance of his position as the ruler of over 50,000,000 people, for he well knows that any man wearing on his head the double crown of King of Prussia, and of German Emperor, is a being endowed with powers which are bound to compel attention from every point of the European Continent. Being given, as I have just remarked, that his health and his physique are neither of them of a kind to aid him in the tremendous task which belongs to him by right of birth, it is easily explainable that his self-assertive ways and imperious manners should often be mistaken for posing and posturing. Moreover, his imperfect left arm--a misfortune which has been a source of great distress to him ever since his birth--is but another one of those physical troubles which his pride makes him anxious to conceal, this only adding to his stilted and repellent attitude. In spite of all these drawbacks, the emperor fences exceedingly well, rides with pluck, and even skill, managing to hold his reins with his poor withered left hand when in uniform, in order to keep his sword-arm free, and during his visit to Austrian Poland, which I referred to at the beginning of this chapter, I more than once saw him with my own eyes, whilst we were riding across country, take obstacles which would have made a far older and more experienced hunter pause and reflect on.
Nobody, even the best-intentioned, can deny that Emperor William has many faults; those are, however, either ignored altogether, or else exaggerated to an extent that eclipses all his good qualities, by his various biographers. Very few pen-portraits of royal personages that pass through the hands of the publishers can be said to present a true picture of their subject. Either the writer holds up the object of his literary effort as a person so blameless as to suggest the idea that he is an impossible prig, or else every piece of malevolent gossip is construed into a positive fact, his shortcomings magnified until they lose all touch of resemblance, while every word and action capable of misrepresentation is construed in the manner most detrimental to his reputation. In one word, he is either glorified as a preposterous saint, or else held up to public execration as an equally impossible villain. Now, in pictorial art, a portrait, in order to present a satisfactory and successful resemblance to its subject, must contain lights and shadows. You cannot have all light, or all shadow, but it is necessary to have a judicious mixture of both. So it is with the art of biography. If one wishes to give in print a true, and above all, a human picture of one's subject, it is necessary to mingle the shadows with the lights. In fact, the former may be said to set off the latter, and there are many shortcomings, especially those which the French, so graphically describe as petits vices,--small vices--which, resulting from a generous and impulsive temperament, serve, like the Rembrandt shadow of a portrait, to render the subject more attractive to the eye.
It is my object, not to give a definitive biography of either of the two kaisers, or even a mere record of their vie intime, but rather to present to my readers a series of incidents, full of lights
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