compressed, mark-up, or proprietary form, including any form resulting from conversion by word pro- cessing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (_) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Project of 20% of the net profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Association/Carnegie-Mellon University" within the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
The Project gratefully accepts contributions in money, time, scanning machines, OCR software, public domain etexts, royalty free copyright licenses, and every other sort of contribution you can think of. Money should be paid to "Project Gutenberg Association / Carnegie-Mellon University".
We are planning on making some changes in our donation structure in 2000, so you might want to email me,
[email protected] beforehand.
*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
This etext was prepared by Donald Lainson,
[email protected].
The Second Funeral of Napoleon
by William Makepeace Thackeray "by Michael Angelo Titmarch."
I. On the Disinterment of Napoleon at St. Helena
II. On the Voyage from St. Helena to Paris
III. On the Funeral Ceremony
I.
ON THE DISINTERMENT OF NAPOLEON AT ST. HELENA.
MY DEAR ----,--It is no easy task in this world to distinguish between what is great in it, and what is mean; and many and many is the puzzle that I have had in reading History (or the works of fiction which go by that name), to know whether I should laud up to the skies, and endeavor, to the best of my small capabilities, to imitate the remarkable character about whom I was reading, or whether I should fling aside the book and the hero of it, as things altogether base, unworthy, laughable, and get a novel, or a game of billiards, or a pipe of tobacco, or the report of the last debate in the House, or any other employment which would leave the mind in a state of easy vacuity, rather than pester it with a vain set of dates relating to actions which are in themselves not worth a fig, or with a parcel of names of people whom it can do one no earthly good to remember.
It is more than probable, my love, that you are acquainted with what is called Grecian and Roman history, chiefly from perusing, in very early youth, the little sheepskin-bound volumes of the ingenious Dr. Goldsmith, and have been indebted for your knowledge of the English annals to a subsequent study of the more voluminous works of Hume and Smollett. The first and the last-named authors, dear Miss Smith, have written each an admirable history,--that of the Reverend Dr. Primrose, Vicar of Wakefield, and that of Mr. Robert Bramble, of Bramble Hall--in both of which works you will find true and instructive pictures of human life, and which you may always think over with advantage. But let me caution you against putting any considerable trust in the other works of these authors, which were placed in your hands at school and afterwards, and in which you were taught to believe. Modern historians, for the most part, know very little, and, secondly, only tell a little of what they know.
As for those Greeks and Romans whom you have read of in "sheepskin," were you to know really what those monsters were, you would blush all over as red as a hollyhock, and put down the history-book in a fury. Many of our English worthies are no better. You are not in a situation to know the real characters of any one of them. They appear before you in their public capacities, but the individuals you know not. Suppose, for instance, your mamma had purchased her tea in the Borough from a grocer living there by the name of Greenacre: suppose you had been asked out to dinner, and the gentleman of