The Sceptics of the Old Testament: Job - Koheleth - Agur | Page 3

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THE SPEAKER (TRANSLATION OF THE RESTORED TEXT)
THE SAYINGS OF AGUR (TRANSLATION OF THE RESTORED TEXT)
INDEX

THE POEM OF JOB
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HEBREW PHILOSOPHY
According to a theory which was still in vogue a few years ago, the ancient races of mankind were distinguished from each other no less by their intellectual equipment than by their physical peculiarities. Thus the Semites were supposed to be characterised, among other things, by an inborn aptitude for historical narrative and an utter lack of the mental suppleness, ingenuity, and sharp incisive vision indispensable for the study of the problems of philosophy; while their neighbours, the Aryans, devoid of historical talent, were held to be richly endowed with all the essential qualities of mind needed for the cultivation of epic poetry and abstruse metaphysics. This theory has since been abandoned, and many of the alleged facts that once seemed to support it have been shown to be unwarranted assumptions. Thus, the conclusive proof, supplied by Biblical criticism, of the untrustworthiness of the historical books of the Old Testament, has removed one alleged difference between Aryans and Semites, while the discoveries which led to the reconstruction of the primitive poem of Job and of the treatise of Koheleth have undermined the basis of the other. For these two works deal exclusively with philosophical problems, and, together with the Books of Proverbs and Jesus Sirach, are the only remains that have come down to us of the ethical and metaphysical speculations of the ancient Hebrews whose descendants have so materially contributed to further this much-maligned branch of human knowledge. And if we may judge by what we know of these two books, we have ample grounds for regretting that numerous other philosophical treatises which were written between the fourth and the first centuries B.C. were deemed too abstruse, too irrelevant, or too heterodox to find a place in the Jewish Canon.[2] For the Book of Job is an unrivalled masterpiece, the work of one in whom poetry was no mere special faculty cultivated apart from his other gifts, but the outcome of the harmonious wholeness of healthy human nature, in which upright living, untrammelled thought, deep mental vision, and luxuriant imagination combined to form the individual. Hence the poem is a true reflex of the author's mind: it dissolves and blends in harmonious union elements that appeared not merely heterogeneous, but wholly incompatible, and realises, with the concreteness of history, the seemingly unattainable idea which Lucretius had the mind to conceive but lacked the artistic hand to execute; in a word, it is the fruit of the intimate union of that philosophy which, reckless of results, dares to clip even angels' wings, and of the art which possesses the secret of painting its unfading pictures with the delicate tints of the rainbow. Rich fancy and profound thought co-operate to produce a _tertium quid_--a visible proof that the beautiful is one with the true--for which neither literature nor philosophy possesses a name. It is no wonder, then, that this unique poem, which gives adequate utterance to abstract thought, truly and forcibly states the doubts and misgivings which harrow the souls of thinking men of all ages and nations, and helps them to lift a corner of the veil of delusion and get a glimpse of the darkness of the everlasting Night beyond, should appeal to the reader of the nineteenth century with much greater force than to the Jews of olden times, who were accustomed to gauge the sublimity of imaginative poetry and the depth of philosophic speculation by the standard of orthodoxy and the bias of nationality.
The Book of Job, from which Pope Gregory the Great fancied he could piece together the entire system of Catholic theology, and which Thomas of Aquin regarded as a sober history, is now known to be a regular poem, but, as Tennyson truly remarked, "the greatest poem whether of ancient or modern times," and the diction of which even Luther instinctively felt to be "magnificent and sublime as no other book of Scripture." And it is exclusively in this light, as one of the masterpieces of the world's literature, that it will be considered in the following pages. Whatever religious significance it may be supposed to possess over and above, as one of the canonical books of the Hebrew and Christian Scriptures, will, it is hoped, remain unaffected by this treatment, which is least of all controversial. The flowers that yield honey to the bee likewise delight the bee-keeper with their perfume and the poet with their colours, and there is no adequate reason why the magic verse which strikes a responsive chord in the soul of lovers of high art, and starts a new train of ideas in the minds of serious thinkers, should thereby lose any of the healing virtues