The Rose in the Ring | Page 3

George Barr McCutcheon
hundredweights, carried them over the last weary mile. Into the outskirts of the little town they slunk. The streets were deserted, muddy, and lighted but meagerly from widely separated oil lamps set at the tops of as many unstable posts.
Some distance ahead there was a vast glow of light, lifting itself above the housetops and pressing against the black dome that hung low over the earth. The rollicking quickstep of a circus band came dancing over the night to meet the footsore men. There were no pedestrians to keep them company. The inhabitants of S---- were inside the tents beyond, or loitering near the sidewalls with singular disregard for the drizzling rain that sifted down upon their unmindful backs or blew softly into the faces of the few who enjoyed the luxury of "umberells." Despite the apparent solitude that kept pace with them down the narrow street,--little more than a country lane, on the verge of graduating into a thoroughfare,--the three travelers were keenly alert; their squinting, eager eyes searched the shadows beside and before them; their feet no longer dragged through the slippery, glistening bed of the road; every movement, every glance signified extreme caution.
Slowly they approached the vacant lots beyond the business section of the town, known year in and year out to the youth of S---- as "the show grounds." Now they began to encounter straggling, envious atoms of the populace, wanderers who could not produce the admission fee and who were not permitted by the rough canvasmen to venture inside the charmed circle laid down by the "guy-ropes." At the corner of the tented common stood the "ticket wagon," the muddy plaza in front of it torn by the footprints of many human beings and lighted by a great gasoline lamp swung from a pole hard by. Beyond was the main entrance of the animal tent, presided over by uniformed ticket takers. Here and there, in the gloomy background, stood the canvas and pole wagons, shining in their wetness against the feeble light that oozed through the opening between the sidewall and the edge of the flapping main top, or glistening with sudden brightness in response to the passing lantern or torch in the hand of a rubber-coated minion who "belonged to the circus,"--a vast honor, no matter how lowly his position may have been. Costume and baggage wagons, their white and gold glory swallowed up in the maw of the night, stood backed up against the dressing-tent off to the right. The horse tent beyond was even now being lowered by shadowy, mystic figures who swore and shouted to each other across spaces wide and spaces small without regulating the voice to either effort. Horses, with their clanking trace-chains, in twos and fours, slipped in and out of the shadows, drawing great vehicles which rumbled and jarred with the noise peculiar to circus wagons: tired, underfed horses that paid little heed to the curses or the blows of the men who handled them, so accustomed were they to the proddings of life.
And inside the big tent the band played merrily, as only a circus band can play, jangling an accompaniment to the laughter and the shouts of the delighted multitude sitting in the blue-boarded tiers about the single ring with its earthen circumference, its sawdust carpet and its dripping lights.
The smell of the thing! Who has ever forgotten it? The smell of the sawdust, the smell of the gleaming lights, the smell of animals and the smell of the canvas top! The smell of the damp handbills, the programs and the bags of roasted peanuts! Incense! Never-to-be- forgotten incense of our beautiful days!
Warm and dry and bright under the spreading top with its two "center poles" and its row of "quarters"; cold, dreary and sordid outside in the real world where man and beast worked while others seemed to play.
Groups of canvasmen now began to tear down the animal tent--the "menagerie," as it has always been known to the man who pays admission. An hour later, when the big show is over, the spectators will stream forth, even as their own blue seats begin to clatter to earth behind them, and they will blink with amazement to find themselves in the open air, instead of in the menagerie tent. As if by magic it has disappeared, and with it the sideshow and its banners, the Punch and Judy show, the horse tent, the cook tent, the blacksmith shop. Where once stood a dripping white city, now stretches a barren, ugly waste of unhallowed, unfamiliar ground, flanked by the solitary temple of tinsel and sawdust which they have just left behind, and which even now is being desolated by scowling men in overalls. The crowd oozes forth, to find itself completely lost in the night, all
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