The Rich Mrs Burgoyne | Page 9

Kathleen Norris
to match the curtains and chairs. They went across the hall to the long, dim drawing room, where there was another velvet carpet, dulled to a red pink by time, and muffled pompous sofas and chairs, and great mirrors, and "sets" of candlesticks and vases on the mantels and what-nots. The windows were shuttered here, the air lifeless. Barry, in George Carew's interest, felt bound to say that "they would clear all this up, you know; a lot of this stuff could be stored."
"Oh, why store it? It's perfectly good," the lady answered absently.
Presently they went out to the more cheerful dining-room, which ran straight across the house, and was low-ceiled, with pleasant square- paned windows on two sides.
"This was the old house," explained Barry; "they added on the front part. You could do a lot with this room."
"Do you still smell spice, and apples, and cider here?" said Mrs. Burgoyne, turning from an investigation of the china-closet, with a radiant face. A moment later she caught her breath suddenly, and walked across the room to stand, resting her hands on a chair back, before a large portrait that hung above the fireplace. She stood so, gazing at the picture--the portrait of a woman--for a full minute, and when she turned again to Barry, her eyes were bright with tears.
"That's Mrs. Holly," said she. "Emily said that picture was here." And turning back to the canvas, she added under her breath, "You darling!"
"Did you know her?" Barry asked, surprised.
"Did I know her!" Mrs. Burgoyne echoed softly, without turning. "Yes, I knew her," she added, almost musingly. And then suddenly she said, "Come, let's look upstairs," and led the way by the twisted sunny back stairway, which had a window on every landing and Crimson Rambler roses pressing against every window. They looked into several bedrooms, all dusty, close, sunshiny. In the largest of these, a big front corner room, carpeted in dark red, with a black marble fireplace and an immense walnut bed, Mrs. Burgoyne, looking through a window that she had opened upon the lovely panorama of river and woods, said suddenly:
"This must be my room, it was hers. She was the best friend, in one way, that I ever had--Mrs. Holly. How happy I was here!"
"Here?" Barry echoed.
At his tone she turned, and looked keenly at him, a little smile playing about her lips. Then her face suddenly brightened.
"Barry, of course!" she exclaimed. "I KNEW I knew you, but the 'Mr. Valentine' confused me." And facing him radiantly, she demanded, "Who am I?"
Barry shook his head slowly, his puzzled, smiling eyes on hers. For a moment they faced each other; then his look cleared as hers had done, and their hands met as he said boyishly:
"Well, I will be hanged! Jappy Frothingham!"
"Jappy Frothingham!" she echoed joyously. "But I haven't heard that name for twenty years. And you're the boy whose father was a doctor, and who helped us build our Indian camp, and who had the frog, and fell off the roof, and killed the rattlesnake."
"And you're the girl from Washington who could speak French, and who put that stuff on my freckles and wouldn't let 'em drown the kittens."
"Oh, yes, yes!" she said, and, their hands still joined, they laughed like happy children together.
Presently, more gravely, she told him a little of herself, of the early marriage, and the diplomat husband whose career was so cruelly cut short by years of hopeless invalidism. Then had come her father's illness, and years of travel with him, and now she and the little girls were alone. And in return Barry sketched his own life, told her a little of Hetty, and his unhappy days in New York, and of the boy, and finally of the Mail. Her absorbed attention followed him from point to point.
"And you say that this Rogers owns the newspaper?" she asked thoughtfully, when the Mail was under discussion.
"Rogers owns it; that's the trouble. Nothing goes into it without the old man's consent." Barry tested the spring of a roller shade, with a scowl. "Barnes, the assistant editor he had before me, threw up his job because he wouldn't stand having his stuff cut all to pieces and changed to suit Rogers' policies," he went on, as Mrs. Burgoyne's eyes demanded more detail. "And that's what I'll do some day. In the six years since the old man bought it, the circulation has fallen off about half; we don't get any 'ads'; we're not paying expenses. It's a crime too, for it's a good paper. Even Rogers is sick of it now; he'd sell for a song. I'd borrow the money and buy it if it weren't for the presses; I'd have to have new presses. Everything here is in pretty good shape," he finished, with
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