The Revolt of The Netherlands, book 4 | Page 2

for any unlawful act, no one yet clearly knows what, the furious band rushes onwards. The smiling prosperity of the hostile religion insults the poverty of their own; the pomp of the authorized temples casts contempt on their proscribed belief; every cross they set up upon the highway, every image of the saints that they meet, is a trophy erected over their own humiliation, and they all must be removed by their avenging hands. Fanaticism suggests these detestable proceedings, but base passions carry them into execution.
1566. The commencement of the attack on images took place in West Flanders and Artois, in the districts between Lys and the sea. A frantic herd of artisans, boatmen, and peasants, mixed with prostitutes, beggars, vagabonds, and thieves, about three hundred in number, furnished with clubs, axes, hammers, ladders, and cords (a few only were provided with swords or fire arms), cast themselves, with fanatical fury, into the villages and hamlets near St. Omer, and breaking open the gates of such churches and cloisters as they find locked, overthrow everywhere the altars, break to pieces the images of the saints, and trample them under foot. With their excitement increased by its indulgence, and reinforced by newcomers, they press on by the direct road to Ypres, where they can count on the support of a strong body of Calvinists. Unopposed, they break into the cathedral, and mounting on ladders they hammer to pieces the pictures, hew down with axes the pulpits and pews, despoil the altars of their ornaments, and steal the holy vessels. This example was quickly followed in Menin, Comines, Verrich, Lille, and Oudenard; in a few days the same fury spreads through the whole of Flanders. At the very time when the first tidings of this occurrence arrived Antwerp was swarming with a crowd of houseless people, which the feast of the Assumption of the Virgin had brought together in that city. Even the presence of the Prince of Orange was hardly sufficient to restrain the licentious mob, who burned to imitate the doings of their brethren in St. Omer; but an order from the court which summoned him to Brussels, where the regent was just assembling her council of state, in order to lay before them the royal letters, obliged him to abandon Antwerp to the outrages of this band. His departure was the signal for tumult. Apprehensive of the lawless violence of which, on the very first day of the festival, the mob had given indications in derisory allusions, the priests, after carrying about the image of the Virgin for a short time, brought it for safety to the choir, without, as formerly, setting it up in the middle of the church. This incited some mischievous boys from among the people to pay it a visit there, and jokingly inquire why she had so soon absented herself from among them? Others mounting the pulpit, mimicked the preacher, and challenged the papists to a dispute. A Roman Catholic waterman, indignant at this jest, attempted to pull them down, and blows were exchanged in the preacher's seat. Similar scenes occurred on the following evening. The numbers increased, and many came already provided with suspicious implements and secret weapons. At last it came into the head of one of them to cry, "Long live the Gueux!" immediately the whole band took up the cry, and the image of the Virgin was called upon to do the same. The few Roman Catholics who were present, and who had given up the hope of effecting anything against these desperadoes, left the church after locking all the doors except one. So soon as they found themselves alone it was proposed to sing one of the psalms in the new version, which was prohibited by the government. While they were yet singing they all, as at a given signal, rushed furiously upon the image of the Virgin, piercing it with swords and daggers, and striking off its head; thieves and prostitutes tore the great wax-lights from the altar, and lighted them to the work. The beautiful organ of the church, a masterpiece of the art of that period, was broken to pieces, all the paintings were effaced, the statues smashed to atoms. A crucifix, the size of life, which was set up between the two thieves, opposite the high altar, an ancient and highly valued piece of workmanship, was pulled to the ground with cords, and cut to pieces with axes, while the two malefactors at its side were respectfully spared. The holy wafers were strewed on the ground and trodden under foot; in the wine used for the Lord's Supper, which was accidentally found there, the health of the Gueux was drunk, while with the holy oil they rubbed their shoes. The very tombs were opened, and