The Revolt of Man | Page 2

they must resign. These continual changes of ministry bring contempt as well as disaster upon the country. Six months ago, all the Talents! Three months ago, all the Beauties! Now, all the First-classes! And what a mess--what a mess--they make between them! Why do they not come to me and make me lecture on ancient history, and learn how affairs were conducted a hundred years ago, when man was in his own place, and"--here she laughed and looked around her with a certain suspicion--"and woman was in hers?"
Then she turned her eyes out to the park below her. It was a most charming morning in June; the trees were at their freshest and their most beautiful: the flowers were at their brightest, with great masses of rhododendron, purple lilac, and the golden rain of the laburnum. The Row was well filled: young men were there, riding bravely and gallantly with their sisters, their mothers, or their wives; girls and ladies were taking their morning canter before the official day began; and along the gravel-walks girls were hastening quickly to their offices or their lecture-rooms; older ladies sat in the shade, talking politics; idlers of both sexes were strolling and sitting, watching the horses or talking to each other.
"Youth and hope!" murmured the Professor. "Every lad hopes for a young wife; every girl trusts that success will come to her while she is still young enough to be loved. Age looks on with her young husband at her side, and prides herself in having no illusions left. Poor creatures! You destroyed love--love the consoler, love the leveller-- when you, who were born to receive, undertook to give. Blind! blind!"
She turned from the window and began to examine the pictures hanging on the walls. These consisted entirely of small portraits copied from larger pictures. They were arranged in chronological order, and were in fact family portraits. The older pictures were mostly the heads of men, taken in the fall of life, gray-bearded, with strong, steadfast eyes, and the look of authority. Among them were portraits of ladies, chiefly taken in the first fresh bloom of youth.
"They knew," said the Professor, "how to paint a face in those days."
Among the modern pictures a very remarkable change was apparent. The men were painted in early manhood, the women at a more mature age; the style was altered for the worse, a gaudy conventional mannerism prevailed; there was weakness in the drawing and a blind following in the colour: as for the details, they were in some cases neglected altogether, and in others elaborated so as to swamp and destroy the subject of the picture. The faces of the men were remarkable for a self--conscious beauty of the lower type: there was little intellectual expression; the hair was always curly, and while some showed a bull-like repose of strength, others wore an expression of meek and gentle submissiveness. As for the women, they were represented with all the emblems of authority---tables, thrones, papers, deeds, and pens.
"As if," said the Professor, "the peeresses' right divine to rule was in their hearts! But, in these days, the painter's art is a rule of thumb."
There was a small stand full of books, chiefly of a lighter kind, prettily bound and profusely gilt. Some were novels, with such titles as The Hero of the Cricket Field, The Long Jump, The Silver Racket, and so on. Some were apparently poems, among them being Lady Longspin's Vision of the Perfect Knight, with a frontispiece, showing the Last Lap of the Seven-Mile Race; Julia Durdle's poems of the Young Man's Crown of Glory, and Aunt Agatha's Songs for Girls at School or College. There were others of a miscellaneous character, such as Guide to the Young Politician, being a series of letters to a peeress at Oxford; Meditations in the University Church; Hymns for Men; the Sacrifice of the Faithful Heart; The Womanhood of Heaven; or, the Light and Hope of Men, with many others whose title proclaimed the nature of their contents. The appearance of the books, however, did not seem to show that they were much read.
"I should have thought," said the Professor, "that Constance would have turned all this rubbish out of her breakfast-room. After all, though, what could she put in its place here?"
As the clock struck eleven, the door opened, and the young lady whom the Professor spoke of as Constance appeared.
She was a girl of twenty, singularly beautiful; her face was one of those very rare faces which seem as if nature, after working steadily in one mould for a good many generations, has at last succeeded in perfecting her idea. Most of our faces, somehow, look as if the mould had not quite reached the conception of the sculptor. Unfortunately, while such faces as that