his breast he ground down with both hands. That gave him more steadiness; but would not this contorted position destroy all chance of shooting accurately? His own prophecy, made over the dead body of Hal Sinclair, that all three of them would see that face again, came back to him with a sense of fatality. Some forward-looking instinct, he assured himself, had given him that knowledge.
The step upon the stairs came up steadily. But the mind of Lowrie, between the steps, leaped hither and yon, a thousand miles and back. What if his nerve failed him at the last moment? What if he buckled and showed yellow and the shame of it followed him? Better a hundred times to die by his own hand.
Excitement, foreboding, the weariness of the long trail--all were working upon Lowrie.
Nearer drew the step. It seemed an hour since he had first heard it begin to climb the stairs. It sounded heavily on the floor outside his door. There was a heavy tapping on the door itself. For an instant the clutch of Lowrie froze around his gun; then he twitched the muzzle back against his own breast and fired.
There was no pain--only a sense of numbness and a vague feeling of torn muscles, as if they were extraneous matter. He dropped the revolver on the bed and pressed both hands against his wound. Then the door opened, and there appeared, not Riley Sinclair, but Pop Hansen.
"What in thunder--" he began.
"Get Riley Sinclair. There's been an accident," said Lowrie faintly and huskily. "Get Riley Sinclair; quick. I got something to say to him."
3
Riley Sinclair rode over the mountain. An hour of stern climbing lay behind him, but it was not sympathy for his tired horse that made him draw rein. Sympathy was not readily on tap in Riley's nature. "Hossflesh" to Riley was purely and simply a means to an end. Neither had he paused to enjoy that mystery of change which comes over mountains between late afternoon and early evening. His keen eyes answered all his purposes, and that they had never learned to see blue in shadows meant nothing to Riley Sinclair.
If he looked kindly upon the foothills, which stepped down from the peaks to the valley lands, it was because they meant an easy descent. Riley took thorough stock of his surroundings, for it was a new country. Yonder, where the slant sun glanced and blinked on windows, must be Sour Creek; and there was the road to town jagging across the hills. Riley sighed.
In his heart he despised that valley. There were black patches of plowed land. A scattering of houses began in the foothills and thickened toward Sour Creek. How could men remain there, where there was so little elbow room? He scowled down into the shadow of the valley. Small country, small men.
Pictures failed to hold Riley, but, as he sat the saddle, hand on thigh, and looked scornfully toward Sour Creek, he was himself a picture to make one's head lift. As a rule the horse comes in for as much attention as the rider, but when Riley Sinclair came near, people saw the man and nothing else. Not because he was good-looking, but because one became suddenly aware of some hundred and eighty pounds of lithe, tough muscle and a domineering face.
Somewhere behind his eyes there was a faint glint of humor. That was the only soft touch about him. He was in that hard age between thirty and thirty-five when people are still young, but have lost the illusions of youth. And, indeed, that was exactly the word which people in haste used to describe Riley Sinclair--"hard."
Having once resigned himself to the descent into that cramped country beneath he at once banished all regret. First he picked out his objective, a house some distance away, near the road, and then he brought his mustang up on the bit with a touch of the spurs. Then, having established the taut rein which he preferred, he sent the cow pony down the slope. It was plain that the mustang hated its rider; it was equally plain that Sinclair was in perfect touch with his horse, what with the stern wrist pulling against the bit, and the spurs keeping the pony up on it. In spite of his bulk he was not heavy in the saddle, for he kept in tune with the gait of the horse, with that sway of the body which lightens burdens. A capable rider, he was so judicious that he seemed reckless.
Leaving the mountainside, he struck at a trot across a tableland. Some mysterious instinct enabled him to guide the pony without glancing once at the ground; for Sinclair, with his head high, was now carefully examining the house before him. Twice a cluster of
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