The Rainbow | Page 8

D.H. Lawrence
infuriated him. He could not get free: and he was ashamed. He had one or two sweethearts, starting with them in the hope of speedy development. But when he had a nice girl, he found that he was incapable of pushing the desired development. The very presence of the girl beside him made it impossible. He could not think of her like that, he could not think of her actual nakedness. She was a girl and he liked her, and dreaded violently even the thought of uncovering her. He knew that, in these last issues of nakedness, he did not exist to her nor she to him. Again, if he had a loose girl, and things began to develop, she offended him so deeply all the time, that he never knew whether he was going to get away from her as quickly as possible, or whether he were going to take her out of inflamed necessity. Again he learnt his lesson: if he took her it was a paucity which he was forced to despise. He did not despise himself nor the girl. But he despised the net result in him of the experience-he despised it deeply and bitterly.
Then, when he was twenty-three, his mother died, and he was left at home with Effie. His mother's death was another blow out of the dark. He could not understand it, he knew it was no good his trying. One had to submit to these unforeseen blows that come unawares and leave a bruise that remains and hurts whenever it is touched. He began to be afraid of all that which was up against him. He had loved his mother.
After this, Effie and he quarrelled fiercely. They meant a very great deal to each other, but they were both under a strange, unnatural tension. He stayed out of the house as much as possible. He got a special corner for himself at the "Red Lion" at Cossethay, and became a usual figure by the fire, a fresh, fair young fellow with heavy limbs and head held back, mostly silent, though alert and attentive, very hearty in his greeting of everybody he knew, shy of strangers. He teased all the women, who liked him extremely, and he was very attentive to the talk of the men, very respectful.
To drink made him quickly flush very red in the face, and brought out the look of self-consciousness and unsureness, almost bewilderment, in his blue eyes. When he came home in this state of tipsy confusion his sister hated him and abused him, and he went off his head, like a mad bull with rage.
He had still another turn with a light-o'-love. One Whitsuntide he went a jaunt with two other young fellows, on horseback, to Matlock and thence to Bakewell. Matlock was at that time just becoming a famous beauty-spot, visited from Manchester and from the Staffordshire towns. In the hotel where the young men took lunch, were two girls, and the parties struck up a friendship.
The Miss who made up to Tom Brangwen, then twenty-four years old, was a handsome, reckless girl neglected for an afternoon by the man who had brought her out. She saw Brangwen and liked him, as all women did, for his warmth and his generous nature, and for the innate delicacy in him. But she saw he was one who would have to be brought to the scratch. However, she was roused and unsatisfied and made mischievous, so she dared anything. It would be an easy interlude, restoring her pride.
She was a handsome girl with a bosom, and dark hair and blue eyes, a girl full of easy laughter, flushed from the sun, inclined to wipe her laughing face in a very natural and taking manner.
Brangwen was in a state of wonder. He treated her with his chaffing deference, roused, but very unsure of himself, afraid to death of being too forward, ashamed lest he might be thought backward, mad with desire yet restrained by instinctive regard for women from making any definite approach, feeling all the while that his attitude was ridiculous, and flushing deep with confusion. She, however, became hard and daring as he became confused, it amused her to see him come on.
"When must you get back?" she asked.
"I'm not particular," he said.
There the conversation again broke down.
Brangwen's companions were ready to go on.
"Art commin', Tom," they called, "or art for stoppin'?"
"Ay, I'm commin'," he replied, rising reluctantly, an angry sense of futility and disappointment spreading over him.
He met the full, almost taunting look of the girl, and he trembled with unusedness.
"Shall you come an' have a look at my mare," he said to her, with his hearty kindliness that was now shaken with trepidation.
"Oh, I should like to," she said, rising.
And she followed him, his
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