The Radiant Shell | Page 2

effort hangs the fate of your country. Now--what help will you
require?"
"Only the assistance of one man," said Thorn. "And, since secrecy is
vital, I'm going to ask you, sir, to be that man."
The Secretary smiled; and with that smile he seemed to be transformed
from a great leader of affairs into a kindly, human individual. "I am
honored, Mr. Winter," he said. "Shall we go at once to your
laboratory?"
* * * * *
In the great laboratory room, the Secretary glanced about almost
uneasily at the crowding apparatus that was such an enigma to one
untrained in science. Then his gaze returned to Winter's activities.
Thorn was carefully stirring fluids, poured drop by drop from various
retorts, in a mixing bowl. All the fluids were colorless; and they
combined in a mixture that had approximately the consistency of thin
syrup. To this, Thorn added a carefully weighted pinch of glittering
powder. Then he lit a burner under the bowl, and thrust into the mixture

a tiny, specially constructed thermometer.
"You can really make yourself invisible?" breathed the Secretary.
"I can," said Thorn, "if the blisters don't upset my calculations by
making my body surfaces too moist for this stuff to stick to. I'm going
to have you paint me with it, you see, and it was never intended to
cover flesh."
He regulated the burner anxiously, and then began to take off his
clothes.
"Ready," he said at last, glancing at the thermometer and turning off the
burner. He stood before the wondering Secretary, a fine, muscular
figure. "Take this brush and cover me with the stuff. And be sure not to
miss any of me!"
And then the Secretary saw why Thorn had said the colorless paint was
never intended to be applied to human flesh. For it was still seething
and smoking in the cauldron.
"Good heavens!" he said. "Don't you want to wait till it cools a little?"
"Can't," said Thorn. "It has to be applied hot or it loses its flexibility."
The Secretary dipped the brush and began to paint the naked flesh of
the scientist. Not a quiver touched that flesh as an almost
microscopically thin, colorless layer formed into a film after the brush
strokes. But the Secretary's fingers shook a little.
"My God, man!" he said finally. "Doesn't it hurt?"
"It's a little like being boiled in oil," replied Thorn grimly. "Outside of
that it's all right. Hurry, before the stuff gets too cool."
* * * * *
The clinging thin shell covered him to his chest, then to his throat. At
that point he reached into a drawer in a workbench beside him and

drew out two small, hollow hemispheres of glass. These he cupped
over his eyes.
"What are those for?" asked the Secretary.
"So my eyes can be covered with the film. If they weren't, I'd present
the somewhat remarkable spectacle of a pair of disembodied eyes
walking down the street."
Painfully, agonizingly, the hot film was applied to throat and face; over
the glass spheres that cupped around the eyes; over a tight leather cap
covering the scientist's hair; and over a sort of football nose-guard
which extended down an inch below the end of Thorn's nose in a sort of
overhanging offset that would allow him to breathe and still keep his
nostrils hidden. The Secretary stepped back.
Before him stood a figure that looked not unlike a glazed statue of a
man. The effect was that of a body encased in clear ice--and like clear
ice, the encasing shell sparkled and glittered radiantly in the sunlight
that poured in at the windows.
Thorn moved. His glazed arms and legs and torso glistened with all the
colors in the spectrum; while under the filmed bulges of glass his eyes
looked as large as apples. The Secretary felt a chill of superstitious fear
as he gazed at that weird and glittering figure with its enormous glazed
eyes.
"But you aren't invisible," he said at length.
"That comes now," said Thorn, walking ahead of the Secretary while
on the ceiling above him danced red and yellow and blue rainbows of
refracted light.
* * * * *
He stepped onto a big metal plate. Suspended above was a huge metal
ring, with its hole directly over the spot on which he stood.

"Soft magnets," explained Thorn. "As simply as I can put it, my
process for rendering an object invisible is this: I place the object,
coated with the film, on this plate. Then I start in motion the overhead
ring, creating an immensely powerful, rapidly rotating magnetic field.
The rotating field rearranges the atoms of this peculiarly susceptible
film of mine so that they will transmit light rays with the least possible
resistance. It combs the