The Queen Pedauque | Page 2

would have contrived this book,--somewhat as in the reading of Mr. Joseph Conrad's novels a many of us are haunted by the sense that the Conrad "story" is, in its essential beams and stanchions, the sort of thing which W. Clark Russell used to put together, in a rather different way, for our illicit perusal. Whereby I only mean that such seafaring was illicit in those aureate days when, Cleveland being consul for the second time, your geography figured as the screen of fictive reading-matter during school-hours.
One need not say that there is no question, in either case, of "imitation," far less of "plagiarism"; nor need one, surely, point out the impossibility of anybody's ever mistaking the present book for a novel by Alexandre Dumas. Ere Homer's eyesight began not to be what it had been, the fact was noted by the observant Chian, that very few sane architects commence an edifice by planting and rearing the oaks which are to compose its beams and stanchions. You take over all such supplies ready hewn, and choose by preference time- seasoned timber. Since Homer's prime a host of other great creative writers have recognised this axiom when they too began to build: and "originality" has by ordinary been, like chess and democracy, a Mecca for little minds.
Besides, there is the vast difference that M. Anatole France has introduced into the Dumas theatre some preeminently un-Dumas-like stage-business: the characters, between assignations and combats, toy amorously with ideas. That is the difference which at a stroke dissevers them from any helter-skelter character in Dumas as utterly as from any of our clearest thinkers in office.
It is this toying, this series of mental amourettes, which incommunicably "makes the difference" in almost all the volumes of M. France familiar to me, but our affair is with this one story. Now in this vivid book we have our fill of color and animation and gallant strangenesses, and a stir of characters who impress us as living with a poignancy unmastered as yet by anybody's associates in flesh and blood. We have, in brief, all that Dumas could ever offer, here utilised not to make drama but background, all being woven into a bright undulating tapestry behind an erudite and battered figure,-- a figure of odd medleys, in which the erudition is combined with much of Autolycus, and the unkemptness with something of �� Kempis. For what one remembers of _The Queen P��dauque_ is l'Abb�� J��r?me Coignard; and what one remembers, ultimately, about Coignard is not his crowded career, however opulent in larcenous and lectual escapades and fisticuffs and broached wineflasks; but his religious meditations, wherein a merry heart does, quite actually, go all the way.
Coignard I take to be a peculiarly rare type of man (there is no female of this species), the type that is genuinely interested in religion. He stands apart. He halves little with the staid majority of us, who sociably contract our sacred tenets from our neighbors like a sort of theological measles. He halves nothing whatever with our more earnest-minded juniors who--perennially discovering that all religions thus far put to the test of nominal practice have, whatever their paradisial _entr��e_, resulted in a deplorable earthly hash--perennially run yelping into the shrill agnosticism which believes only that one's neighbors should not be permitted to believe in anything.
The creed of Coignard is more urbane. "Always bear in mind that a sound intelligence rejects everything that is contrary to reason, except in matters of faith, where it is necessary to believe blindly." Your opinions are thus all-important, your physical conduct is largely a matter of taste, in a philosophy which ranks affairs of the mind immeasurably above the gross accidents of matter. Indeed, man can win to heaven only through repentance, and the initial step toward repentance is to do something to repent of. There is no flaw in this logic, and in its clear lighting such abrogations of parochial and transitory human laws as may be suggested by reason and the consciousness that nobody is looking, take on the aspect of divinely appointed duties.
Some dullard may here object that M. France--attestedly, indeed, since he remains unjailed-cannot himself believe all this, and that it is with an ironic glitter in his ink he has recorded these dicta. To which the obvious answer would be that M. France (again like all great creative writers) is an ephemeral and negligible person beside his durable puppets; and that, moreover, to reason thus is, it may be precipitately, to disparage the plumage of birds on the ground that an egg has no feathers... Whatever M. France may believe, our concern is here with the conviction of M. Coignard that his religion is all-important and all-significant. And it is curious to observe how unerringly the abbe's thoughts aspire, from