The Puzzle of Dickenss Last Plot | Page 9

save the King"!
"On Thee his hopes to fix Damn him again!"
Would he fool thus, if he knew Jasper to have killed Edwin? He is not certain whether Rosa should visit Helena next day, in Landless's rooms, opposite; and Mr. Walters suggests that he may be aware that Helena, dressed as Datchery, is really absent at Cloisterham. However, next day, Helena is in her brother's rooms. Moreover, it is really a sufficient explanation of Grewgious's doubt that Jasper is lurking around, and that not till next day is a PRIVATE way of communication arranged between Neville and his friends. In any case, next day, Helena is in her brother's rooms, and, by aid of a Mr. Tartar's rooms, she and Rosa can meet privately. There is a good deal of conspiring to watch Jasper when he watches Neville, and in this new friend, Mr. Tartar, a lover is provided for Rosa. Tartar is a miraculously agile climber over roofs and up walls, a retired Lieutenant of the navy, and a handy man, being such a climber, to chase Jasper about the roof of the Cathedral, when Jasper's day of doom arrives.
JASPER'S OPIUM VISIONS
In July, Jasper revisits the London opium den, and talks under opium, watched by the old hag. He speaks of a thing which he often does in visions: "a hazardous and perilous journey, over abysses where a slip would be destruction. Look down, look down! You see what lies at the bottom there?" He enacts the vision and says, "There was a fellow traveller." He "speaks in a whisper, and as if in the dark." The vision is, in this case, "a poor vision: no struggle, no consciousness of peril, no entreaty." Edwin, in the reminiscent vision, dies very easily and rapidly. "When it comes to be real at last, it is so short that it seems unreal for the first time." "And yet I never saw THAT before. Look what a poor miserable mean thing it is. THAT must be real. It's over."
What can all this mean? We have been told that, shortly before Christmas Eve, Jasper took to wearing a thick black-silk handkerchief for his throat. He hung it over his arm, "his face knitted and stern," as he entered his house for his Christmas Eve dinner. If he strangled Edwin with the scarf, as we are to suppose, he did not lead him, drugged, to the tower top, and pitch him off. Is part of Jasper's vision reminiscent--the brief, unresisting death--while another part is a separate vision, is PROSPECTIVE, "premonitory"? Does he see himself pitching Neville Landless off the tower top, or see him fallen from the Cathedral roof? Is Neville's body "THAT"--"I never saw THAT before. Look what a poor miserable mean thing it is! THAT must be real." Jasper "never saw THAT"--the dead body below the height--before. THIS vision, I think, is of the future, not of the past, and is meant to bewilder the reader who thinks that the whole represents the slaying of Drood. The tale is rich in "warnings" and telepathy.
DATCHERY AND THE OPIUM WOMAN
The hag now tracks Jasper home to Cloisterham. Here she meets Datchery, whom she asks how she can see Jasper? If Datchery is Drood, he now learns, WHAT HE DID NOT KNOW BEFORE, THAT THERE IS SOME CONNECTION BETWEEN JASPER AND THE HAG. He walks with her to the place where Edwin met the hag, on Christmas Eve, and gave her money; and he jingles his own money as he walks. The place, or the sound of the money, makes the woman tell Datchery about Edwin's gift of three shillings and sixpence for opium. Datchery, "with a sudden change of countenance, gives her a sudden look." It does not follow that he is NOT Drood, for, though the hag's love of opium was known to Drood, Datchery is not to reveal his recognition of the woman. He does what any stranger would do; he "gives a sudden look," as if surprised by the mention of opium.
Mr. Walters says, "Drood would not have changed countenance on hearing a fact he had known six months previously." But if Drood was playing at being somebody else, he would, of course, give a kind of start and stare, on hearing of the opium. When he also hears from the hag that her former benefactor's name was Edwin, he asks her how she knew that--"a fatuously unnecessary question," says Mr. Walters. A needless question for Datchery's information, if he be Drood, but as useful a question as another if Drood be Datchery, and wishes to maintain the conversation.
DATCHERY'S SCORE
Datchery keeps a tavern score of his discoveries behind a door, in cryptic chalk strokes. He does this, says Mr. Walters, because, being Helena, he would betray himself if he wrote in a female