YOU AS TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.
INDEMNITY
You will indemnify and hold Michael Hart, the Foundation, and its trustees and agents, and any volunteers associated with the production and distribution of Project Gutenberg-tm texts harmless, from all liability, cost and expense, including legal fees, that arise directly or indirectly from any of the following that you do or cause: [1] distribution of this etext, [2] alteration, modification, or addition to the etext, or [3] any Defect.
DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
You may distribute copies of this etext electronically, or by disk, book or any other medium if you either delete this "Small Print!" and all other references to Project Gutenberg, or:
[1] Only give exact copies of it. Among other things, this requires that you do not remove, alter or modify the etext or this "small print!" statement. You may however, if you wish, distribute this etext in machine readable binary, compressed, mark-up, or proprietary form, including any form resulting from conversion by word processing or hypertext software, but only so long as *EITHER*:
[*] The etext, when displayed, is clearly readable, and does *not* contain characters other than those intended by the author of the work, although tilde (~), asterisk (*) and underline (i) characters may be used to convey punctuation intended by the author, and additional characters may be used to indicate hypertext links; OR
[*] The etext may be readily converted by the reader at no expense into plain ASCII, EBCDIC or equivalent form by the program that displays the etext (as is the case, for instance, with most word processors); OR
[*] You provide, or agree to also provide on request at no additional cost, fee or expense, a copy of the etext in its original plain ASCII form (or in EBCDIC or other equivalent proprietary form).
[2] Honor the etext refund and replacement provisions of this "Small Print!" statement.
[3] Pay a trademark license fee to the Foundation of 20% of the gross profits you derive calculated using the method you already use to calculate your applicable taxes. If you don't derive profits, no royalty is due. Royalties are payable to "Project Gutenberg Literary Archive Foundation" the 60 days following each date you prepare (or were legally required to prepare) your annual (or equivalent periodic) tax return. Please contact us beforehand to let us know your plans and to work out the details.
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
Project Gutenberg is dedicated to increasing the number of public domain and licensed works that can be freely distributed in machine readable form.
The Project gratefully accepts contributions of money, time, public domain materials, or royalty free copyright licenses. Money should be paid to the: "Project Gutenberg Literary Archive Foundation."
If you are interested in contributing scanning equipment or software or other items, please contact Michael Hart at:
[email protected]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.12.12.00*END*
This etext was produced by Charles Franks and the Online Distributed Proofreading Team.
THE PUPPET CROWN
by Harold MacGrath
TO THE MEMORY OF THAT GOOD FRIEND AND COMRADE OF MY YOUTH MY FATHER
CONTENTS
I. THE SCEPTER WHICH WAS A STICK II. THE COUP D'ETAT OF COUSIN JOSEF
III. AN EPISODE TEN YEARS AFTER
IV. AN ADVENTURE WITH ROYALTY
V. BEHIND THE PUPPET BOOTH
VI. MADEMOISELLE OF THE VEIL
VII. SOME DIALOGUE, AN SPRAINED ANKLE, AND SOME SOLDIERS
VIII. THE RED CHATEAU
IX. NOTHING MORE SERIOUS THAN A HOUSE PARTY
X. BEING OF LONG RIDES, MAIDS, KISSES AND MESSAGES
XI. THE DENOUEMENT
XII. WHOM THE GODS DESTROY AND A FEW OTHERS
XIII. BEING OF COMPLICATIONS NOT RECKONED ON
XIV. QUI M'AIME, AIME MON CHIEN
XV. IN WHICH FORTUNE BECOMES CARELESS AND PRODIGAL
XVI. WHAT HAPPENED AT THE ARCHBISHOP'S PLACE AND AFTER
XVII. SOME PASSAGES AT ARMS
XVIII. A MINOR CHORD AND A CHANGE OF MOVEMENT
XIX. A CHANCE RIDE IN THE NIGHT
XX. THE LAST STAND OF A BAD SERVANT
XXI. A COURT FETE AT THE RED CHATEAU
XXII. IN WHICH MAURICE RECURS TO OFFENBACH
XXIII. A GAME OF POKER AND THE STAKES
XXIV. THE PRISONER OF THE RED CHATEAU
XXV. THE FORTUNES OF WAR
XXVI. A PAGE FORM TASSO
XXVII. WORMWOOD AND LEES
XXVIII. INTO THE HANDS OF AUSTRIA
XXIX. INTO STILL WATERS AND SILENCE
Ah Love! Could you and I with Him conspire To grasp this sorry Scheme of Things entire Would not we shatter it to bits--and then Re-mold it nearer to the Heart's desire!
- Rubaiyat of Omar Khayyam
CHAPTER I
THE SCEPTER WHICH WAS A STICK
The king sat in his private garden in the shade of a potted orange tree, the leaves of which were splashed with brilliant yellow. It was high noon of one of those last warm sighs of passing summer which now