The Public vs. M. Gustave Flaubert | Page 2

her capital to invest set out one fine morning for America, and the younger Madame Bovary was so much affected, so struck down by this unexpected blow that she died of it. Here we have the first marriage and the first scene.
M. Bovary, now being a widower, begins to think of marrying again. He questions his memory; there is no need of going far; there immediately comes to his mind the daughter of a neighboring farmer, Mile. Emma Rouault, who had strangely aroused Madame Bovary's suspicions. Farmer Rouault had but one daughter, and she had been brought up by the Ursuline sisters at Rouen. She was little interested in matters of the farm; her father was anxious for her to marry. The health officer presented himself, there was no difficulty about the dot, and you understand that with such a disposition on both sides, these things are quickly settled. The marriage takes place. M. Bovary is at his wife's knees, is the happiest of men and the blindest of husbands. His sole occupation is anticipating his wife's wishes.
Here the r?le of M. Bovary ends; that of Madame Bovary becomes the serious work of the book.
Gentlemen, does Madame Bovary love her husband, or try to love him? No; and from the beginning there has been what we might call the scene of initiation. From the moment of her marriage, another horizon stretched itself out before her, a new life appeared to her. The proprietor of Vaubyessard Castle gave a grand entertainment. He invited the health officer and his wife, and this was for her an initiation into all the ardour of voluptuousness! There she discovered the Duke of Laverdi��re who had had some success at Court; she waltzed with a viscount and experienced an unusual disturbance of mind. From this moment she lived a new life; her husband and all her surroundings became insupportable to her. One day, in looking over some furniture, she hit a piece of wire which tore her finger; it was the wire from her wedding bouquet.
To try to dispel the ennui that was consuming her, M. Bovary sacrificed his office and established himself at Yonville. Here was the scene of the first fall. We are now in the second number. Madame arrived at Yonville, and there, the first person she met upon whom she could fix her attention was--not the notary of the place, but the only clerk of that notary, L��on Dupuis. This is a young man who is making his own way and is about to set out for the capital. Any other than M. Bovary would have been disquieted by the visits of the young clerk, but M. Bovary is so ingenuous that he believes in his wife's virtue. L��on, wholly inexperienced, has the same idea. He goes away, and the occasion is lost; but occasions are easily found again.
There was in the neighborhood of Yonville one Rodolphe Boulanger (you understand that I am narrating). He was a man of thirty-four years old and of a brutal temperament; he had had much success and many easy conquests; he then had an actress for a mistress. He saw Madame Bovary; she was young and charming; he resolved to make her his mistress. The thing was easy; three meetings were sufficient to bring it about. The first time he came to an agricultural meeting, the second time he paid her a visit, the third time he accompanied her on a horseback ride which her husband judged necessary to her health; it was then, in a first visit to the forest, that the fall took place. Their meetings multiplied after this, at Rodolphe's chateau and in the health officer's garden. The lovers reached the extreme limits of voluptuousness! Madame Bovary wished to elope with Rodolphe, but while Rodolphe dared not say no, he wrote a letter in which he tried to show her that for many reasons, he could not elope. Stricken down by the reception of this letter, Madame Bovary had a brain fever, following which typhoid fever declared itself. The fever killed the love, but the malady remained. This is the second scene.
We come now to the third scene. The fall with Rodolphe was followed by a religious reaction, but it was short; Madame Bovary was about to fall anew. The husband thought the theatre useful in the convalescence of his wife and took her to Rouen. In a box opposite that occupied by M. and Madame Bovary, was L��on Dupuis, the notary's young clerk, who had made his way to Paris, and who had now become strangely experienced and knowing. He went to see Madame Bovary and proposed a rendezvous. Madame Bovary suggested the cathedral. On coming out of the cathedral, L��on proposed that they take a cab. She resisted at first, but